Age: 48
male
Milo Anthony Ventimiglia (born July 8, 1977) is an American actor. Making his screen acting debut on The Fresh Prince of Bel-Air in 1995, he portrayed the lead role on the short-lived series Opposite in 2000 before landing his breakthrough role the following year as Jess Mariano on Gilmore Girls (2001–2007). Thereafter, he appeared as Chris Pierce on American Dreams (2004–2005) and Richard Thorne on The Bedford Diaries (2006) before starring as Peter Petrelli on Heroes (2006–2010), for which he received nominations for Teen Choice, Saturn and People's Choice Awards. After appearing in main roles on the series Mob City (2013), Chosen (2013), and The Whispers (2015), Ventimiglia began starring as Jack Pearson on This Is Us (2016–2022), for which he has received three nominations for the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series and twice received the Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series as a cast member. In film, Ventimiglia made his breakthrough as Rocky Balboa's son in the sixth installment of the Rocky film series, Rocky Balboa (2006), going on to reprise the role in the eighth installment Creed II (2018). He has also appeared in Pathology (2008), That's My Boy (2012), Kiss of the Damned (2013), Grace of Monaco (2014), Devil's Gate (2017), and The Art of Racing in the Rain (2019).
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
