Age: 34
male
Carter Jenkins (born September 4, 1991) is an American actor known for his long-running career that began in his youth, transitioning successfully into major film franchises and television dramas. He started his career early in local community theatre and commercials before securing notable roles in the mid-2000s, including the main cast of the sci-fi series Surface (2005-2006) and a recurring role on Unfabulous. His early film work includes the lead role of Tom Pearson in the family sci-fi comedy Aliens in the Attic (2009) and the romantic comedy ensemble Valentine's Day (2010). He possesses a knack for inhabiting complex, often charming, roles that frequently carry underlying dramatic weight. He is internationally recognized for playing Robert Freeman in the massively popular After film series (After We Fell, After Ever Happy, After Everything), a role that solidified his status in the Young Adult drama sphere. On television, He starred as the charismatic, established Hollywood heartthrob Rainer Devon in the Freeform series Famous in Love (2017–2018), where he effortlessly captured the complicated life of a celebrity trying to navigate his fame and personal drama. Demonstrating his serious acting capabilities, Jenkins delivered a measured and impactful performance as Roy Bryant in the critically acclaimed limited series, Women of the Movement (2022). This role showcased his ability to handle heavy, real-life dramatic material with necessary nuance and restraint. His earlier work in Struck by Lightning (2012) and a guest spot on Mad Men also proved his skill in portraying emotionally complex young characters. He continues to prove himself as a flexible actor capable of grounding characters across comedy, romance, and high-stakes drama.
Carter Jenkins
Charlie Lastra
for Charlie Lastra in Book Lovers
Suggested by michaelduffy
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
