Age: 50
female
Isla Lang Fisher (/ˈaɪlə/; born 3 February 1976) is an Australian actress. Born in Oman to Scottish parents who moved with her to Australia during her childhood, she began appearing in television commercials. She became prominent for her portrayal of Shannon Reed on the Australian soap opera Home and Away (1994–1997), for which she received two Logie Award nominations. Fisher transitioned to Hollywood with a supporting role in the comedy horror film Scooby-Doo (2002) and has since starred in films such as Wedding Crashers (2005), Wedding Daze (2006), Confessions of a Shopaholic (2009), Bachelorette (2012), The Great Gatsby (2013), Now You See Me (2013), and Nocturnal Animals (2016). Her other credits include I Heart Huckabees (2004), Definitely, Maybe (2008), Keeping Up with the Joneses (2016), Tag (2018), and The Beach Bum (2019), in addition to voice roles in animated films such as Horton Hears a Who! (2008), Rango (2011), Rise of the Guardians (2012), and Back to the Outback (2021). Fisher had a recurring role in the fourth season of the sitcom Arrested Development(2013–2019) and has starred in the comedy-drama series Wolf Like Me since 2022. She has authored two young adult novels and the Marge in Charge book series. From 2010 to 2024, she married English comedian Sacha Baron Cohen, with whom she has three children. Description above from the Wikipedia article Woody Harrelson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
