Age: 68
female
Rosalie Anderson MacDowell (born April 21, 1958) is an American actress and former fashion model. MacDowell's known for her starring film roles in romantic comedies and dramas. Her early films include Greystoke: The Legend of Tarzan, Lord of the Apes (1984) and the Brat Pack vehicle film St. Elmo's Fire (1985). Her breakout role was in Sex, Lies, and Videotape (1989) which earned her the Independent Spirit Award for Best Female Lead and a nomination for a Golden Globe Award for Best Actress – Motion Picture Drama. She then starred in a series of films including Green Card (1990), Groundhog Day (1993), Short Cuts (1993), Four Weddings and a Funeral (1994), Michael (1996), Multiplicity (1996), and The Muse (1999). She is also known for her supporting film roles in Beauty Shop (2005), Footloose (2011), Magic Mike XXL (2015), Love After Love (2017), and Ready or Not (2019). MacDowell co-starred opposite her daughter Margaret Qualley in the Netflix miniseries Maid (2021), for which she was nominated for a Golden Globe Award. MacDowell has modeled for Calvin Klein and has been a spokeswoman for L'Oréal since 1986.
Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
