
Age: 68
female
Holly Patricia Hunter (born March 20, 1958) is an American actress. Her accolades include an Academy Award, a BAFTA Award, a Golden Globe Award and two Primetime Emmy Awards. In 2008, she received a star on the Hollywood Walk of Fame. For her performance as Ada McGrath in the 1993 drama film The Piano, Hunter won the Academy Award for Best Actress. She earned three additional Academy Award nominations for Broadcast News (1987), The Firm (1993) and Thirteen (2003). For her roles in the television films Roe vs. Wade (1989), and The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom (1993), she won two Primetime Emmy Awards for Outstanding Lead Actress in a Limited Series or Movie. She also starred in the TNT drama series Saving Grace (2007–2010). Hunter's other film roles include Raising Arizona (1987), Always (1989), Home for the Holidays (1995), Crash (1996), O Brother, Where Art Thou? (2000), The Incredibles (2004), its sequel Incredibles 2 (2018), Batman v Superman: Dawn of Justice (2016), and The Big Sick (2017), the latter of which earned her a Screen Actors Guild Award nomination for Outstanding Performance by a Female Actor in a Supporting Role.

Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.


