Age: 50
female
Rashida Leah Jones (born February 25, 1976) is an American actress, writer, and producer. She is known for starring as Ann Perkins on the NBC comedy series Parks and Recreation (2009–2015), for which she received critical acclaim. Jones appeared as Louisa Fenn on the Fox drama series Boston Public (2000–2002) and as Karen Filippelli on the acclaimed NBC comedy series The Office (2006–2011). From 2016 to 2019, Jones starred as the lead eponymous role in the TBS comedy series Angie Tribeca. Jones is also known for her roles in such films as I Love You, Man (2009), The Social Network (2010), Our Idiot Brother (2011), The Muppets (2011), Celeste and Jesse Forever (2012), which she co-wrote, and Tag (2018). Jones also co-wrote the story of Toy Story 4 (2019). As a filmmaker, she directed the first episode of Hot Girls Wanted, a series that focused on the sex industry. She was also executive producer of the series. In 2018, her documentary Quincy, about her father, Quincy Jones, debuted on Netflix; it won the Grammy Award for Best Music Film in 2019. Description above from the Wikipedia article Rashida Jones, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.
