
Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.

In the shadow of the Great Depression, two restless souls collide on the backroads of Texas — Bonnie Parker, a sharp-tongued waitress with poetry in her heart and fire in her veins, and Clyde Barrow, a small-time thief with big-time dreams and a growing hunger for infamy. Together, they spark a crime spree that captures the imagination of a weary nation and the wrath of the law. As the young lovers tear through the South robbing banks, evading police, and living on the edge of desperation, they become unlikely folk heroes to some — and public enemy number one to others. But with every bullet fired and every headline earned, the price of freedom rises. "Bonnie & Clyde, Love & Death" is a raw, romantic, and tragic portrait of two people chasing the American dream at the end of a gun barrel — and the inevitable crash that follows.
