
Age: 67
male
David Owen Russell (born August 20, 1958) is an American film director, screenwriter and producer. He has earned numerous accolades including two British Academy Film Awards, and a Golden Globe Award as well as nominations for five Academy Awards. Russell started his career directing the dark comedy films Spanking the Monkey (1994), Flirting with Disaster (1996), Three Kings (1999), and I Heart Huckabees (2004). He gained critical success with the biographical sports drama The Fighter (2010), the romantic comedy-drama Silver Linings Playbook (2012), and the dark comedy crime film American Hustle (2013). The three films were commercially successful and acclaimed by critics, earning him three Academy Award nominations for Best Director, as well as a Best Adapted Screenplay nomination for Silver Linings Playbook and a Best Original Screenplay nomination for American Hustle. Russell received his seventh Golden Globe nomination for the semi-biographical comedy-drama Joy (2015). He also directed the comedic mystery thriller Amsterdam (2022). Throughout his career, Russell has garnered controversy for being combative and abusive towards crew members and actors in his films. Incidents involving George Clooney, Lily Tomlin, Amy Adams, Christopher Nolan, and Christian Bale have been documented. Description above from the Wikipedia article David O. Russell, licensed under CC-BY-SA, full list of contributors on Wikipedia.

David O. Russell

Director
for Director in A 2020-ish Bonfire Of The Vanities
Suggested by adamatc

The story centers on Sherman McCoy, a successful New York City bond trader. His $3 million Park Avenue co-op, combined with his aristocratic wife's extravagances and other expenses required to keep up appearances are depleting his great income, or as McCoy calls it, a "hemorrhaging of money." McCoy's secure life as a self-regarded "Master of The Universe" on Wall Street is gradually destroyed when he and his mistress, Maria Ruskin, accidentally enter the Bronx at night while they are driving back to Manhattan from Kennedy Airport. Finding the ramp back to the highway blocked by trash cans and a tire, McCoy exits the car to clear the way. Approached by two black men whom they perceive—uncertainly, in McCoy's case—as predators, McCoy and Ruskin flee. After Ruskin takes the wheel of the car to race away, it fishtails, apparently striking one of the two would-be assailants—a "skinny boy."