Age: 30
female
Florence Pugh (/pjuː/ PEW; born 3 January 1996) is an English actress. After making her acting debut in the drama film The Falling (2014), Pugh gained praise for starring in the independent drama Lady Macbeth (2016) and the miniseries The Little Drummer Girl (2018). Her international breakthrough came in 2019 with her portrayals of professional wrestler Paige in the sports film Fighting with My Family, a despondent American woman in the horror film Midsommar, and Amy March in the period drama Little Women. For the last of these, she was nominated for the Academy Award for Best Supporting Actress. Pugh has played Yelena Belova in the Marvel Cinematic Universe, starring in the films Black Widow (2021) and Thunderbolts* (2025) and the Disney+ miniseries Hawkeye (2021). In her highest-grossing releases, she voiced Goldilocks in Puss in Boots: The Last Wish (2022) and portrayed Jean Tatlock in Oppenheimer (2023) and Princess Irulan in Dune: Part Two (2024). She also continued to gain praise for her performances in dramas such as We Live in Time (2024). Description above from the Wikipedia article Florence Pugh, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Charlie Sinclair, a British screenwriter, is tasked with writing the new James Bond film. But as he develops the script, the events he imagines begin to come to life. A new global threat emerges: Solomon Drake, a former spy turned terrorist, who seems to know MI6’s every move in advance. When Sinclair discovers he’s being followed and spied on, he begins to suspect that his film might not be fiction after all: it could be a covert war strategy. As the line between reality and narrative blurs, Sinclair finds himself caught in a real espionage mission, teamed up with Kate Dawson, an agent who might protect him... or manipulate him. Meanwhile, the new 007, Alex Mercer, is on Drake’s trail, but he, too, starts to question his own existence: is he a man, or just a character written by someone else? In the final climax, Sinclair realizes that he’s not just writing Bond’s story—he’s rewriting reality itself. The question is: who’s pulling the strings? And more importantly, if the world is just a script, who wrote it in the first place?
