Age: 49
male
Andrew Scott (born 21 October 1976) is an Irish actor. Known for his roles on stage and screen, his accolades include a British Academy Television Award, Silver Bear Berlin International Film Festival, and two Laurence Olivier Awards, along with nominations for three Primetime Emmy Awards and three Golden Globe Awards. Scott first came to prominence portraying James Moriarty in the BBC series Sherlock (2010–2017), for which he won the BAFTA Television Award for Best Supporting Actor. His role as the priest in the second series of Fleabag (2019) garnered him wider recognition. It earned him the Critics' Choice Television Award for Best Supporting Actor in a Comedy Series. He is also known for his roles in the films Pride (2014), Spectre (2015), and 1917 (2019). He was nominated for a Golden Globe Award for Best Actor for his starring role in the romantic drama film All of Us Strangers (2023). In 2024, he starred as Tom Ripley in the thriller series Ripley, for which he received Golden Globe and Primetime Emmy Award nominations as well as a Peabody Award. On stage, Scott played the lead role of Garry Essendine in a 2019 production of Present Laughter at The Old Vic, for which he won the Laurence Olivier Award for Best Actor. He also won the Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre in 2005 for his role in A Girl in a Car with a Man at the Royal Court Theatre.
Charlie Sinclair, a British screenwriter, is tasked with writing the new James Bond film. But as he develops the script, the events he imagines begin to come to life. A new global threat emerges: Solomon Drake, a former spy turned terrorist, who seems to know MI6’s every move in advance. When Sinclair discovers he’s being followed and spied on, he begins to suspect that his film might not be fiction after all: it could be a covert war strategy. As the line between reality and narrative blurs, Sinclair finds himself caught in a real espionage mission, teamed up with Kate Dawson, an agent who might protect him... or manipulate him. Meanwhile, the new 007, Alex Mercer, is on Drake’s trail, but he, too, starts to question his own existence: is he a man, or just a character written by someone else? In the final climax, Sinclair realizes that he’s not just writing Bond’s story—he’s rewriting reality itself. The question is: who’s pulling the strings? And more importantly, if the world is just a script, who wrote it in the first place?
