
Age: 64
female
Mayes Castillero Rubeo (born 1962) is a Mexican costume designer. She is known for her work on the films Apocalypto (2006), Avatar (2009), John Carter (2012), World War Z (2013), Warcraft (2016), Thor: Ragnarok (2017), and Jojo Rabbit (2019), the lattermost of which earned her Academy Award and BAFTA Award nominations. Rubeo was born Mayes Castillero in Mexico City in 1962. She studied at Guadalajara High School José Guadalupe Zuno Hernández. She moved from Mexico City to Los Angeles in the 1980s and attended Los Angeles Trade Tech. After graduating, she moved to Italy to work with Italian costume designer Enrico Sabbatini. To this day, Rubeo maintains a workshop in Italy. She got her start in Hollywood working as a costume designer. In 2006, she was engaged as a costume designer for Mel Gibson's Apocalypto. Three years later she worked with James Cameron on Avatar, for which she was nominated for the Costume Designers Guild Award in the Excellence in Fantasy Film category. Rubeo received Academy Award and BAFTA Award nominations for best costume design in Jojo Rabbit. She received the Artistry in Filmmaking Award at the 2021 Coronado Island Film Festival. Mayes Rubeo was married to the Italian production designer Bruno Rubeo until he died in 2011. Their son is an art director. Description above from the Wikipedia article Mayes C. Rubeo, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Mayes C. Rubeo

Costume Designer
for Costume Designer in Blue Beetle: Hive (Live Action Film)
Suggested by nihilus

Jaime Reyes bonds with the Scarab — not parasite and host, but hive and king. His body twists into impossible forms: wings like serrated glass, mandibles dripping plasma, eyes glowing like broken neon. He rips through gangs, cartels, and corpos, but the slaughter feels ritualistic, like sacrifices to some insect deity. Hallucinations bleed into reality — shifting colors, glitching shadows, voices of long-dead warriors. Jaime and the Scarab like it. Every fight is psychedelic carnage, a techno-horror vision of limbs torn apart under streetlights flickering out one by one. He isn’t saving the city — he’s remaking it into his hive. This is Blue Beetle reimagined as an anti-hero. No more of that lame cliche superhero Spider-Man BS. I'll be taking inspiration from the Cyberpunk Edgerunners and Dandadan animes + The Prototype games. Nonstop hyperviolent action sequences throughout with peak fight choreography! 🥷