Age: 28
female
Mary Elle Fanning (born April 9, 1998) is an American actress. As a child, she made her film debut as the younger version of her sister Dakota Fanning's character in the drama film I Am Sam (2001). She appeared in several other films as a child actress, including Daddy Day Care (2003), Babel (2006), The Curious Case of Benjamin Button and Phoebe in Wonderland (both 2008), and the miniseries The Lost Room (2006). She then had leading roles in Sofia Coppola's drama Somewhere (2010) and J. J. Abrams' science fiction film Super 8 (2011). Fanning played Princess Aurora in the fantasy films Maleficent (2014) and Maleficent: Mistress of Evil (2019) while working in independent films such as Sally Potter's Ginger & Rosa (2012), Nicolas Winding Refn's The Neon Demon (2016), Mike Mills' 20th Century Women (2016), and Coppola's The Beguiled (2017). From 2020 to 2023, she starred as Catherine the Great in the Hulu period satire series The Great, for which she received nominations for a Primetime Emmy Award and two Golden Globe Awards. She has since portrayed Michelle Carter in the Hulu limited series The Girl from Plainville (2022), made her Broadway debut in the play Appropriate (2023), and played a character based on Suze Rotolo in the biographical drama A Complete Unknown (2024). Description above from the Wikipedia article Elle Fanning, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Elle Fanning
Joy Fletcher
for Joy Fletcher in Blood of the Virgin
Suggested by nimrodhavilio1
Set primarily in Los Angeles in 1971, Blood of the Virgin is the story of twenty‑seven‑year‑old Seymour, an Iraqi Jewish immigrant film editor who works for an exploitation film production company. Seymour, his wife, and their new baby struggle as he tries to make it in the movie business, writing screenplays on spec and pining for the chance to direct. When his boss buys one of his scripts for a project called Blood of the Virgin and gives Seymour the chance to direct it, what follows is a surreal, tragicomic making-of journey. As Seymour’s blind ambition propels the movie, his home life grows increasingly fraught. The film’s production becomes a means to spiral out into time and space, resulting in an epic graphic novel that explores the intersection of twentieth‑century America, parenthood, , the immigrant experience, the dawn of early Hollywood, and, shockingly, the Holocaust.
