Age: 83
male
Christopher Walken (born Ronald Walken; March 31, 1943) is an American actor. He has appeared in more than 100 films and television programs, including Annie Hall (1977), The Deer Hunter (1978), The Dogs of War (1980), The Dead Zone (1983), A View to a Kill (1985), Batman Returns (1992), True Romance (1993), Pulp Fiction (1994), Antz (1998), Vendetta (1999), Sleepy Hollow (1999), Joe Dirt (2001), Catch Me If You Can (2002), Hairspray (2007), Seven Psychopaths (2012), the first three Prophecy films, The Jungle Book (2016), and Irreplaceable You (2018). He has received a number of awards and nominations, including the Academy Award for Best Supporting Actor for The Deer Hunter.
Christopher Walken
Guiseppe D'Angelo
for Guiseppe D'Angelo in Thorns in saint's demise
Suggested by rosanasmother
Fictional 90s mafia queer movie set on the 60s The plot follows Pipazzio, a young trans adult who has just won the top prize in the grand cooking contest with his sweetheart, Marion. The couple returns to Palermo, Italy, the protagonist's hometown to build a life for themselves but P's plans are interrupted thanks to his own reckless spendthrift soul and the proposal of Marion to throw a big party that ends up using up much of her wealth. This combined with unnecessary purchases by his parents end up burying the family in debt. desperate to reclaim stability, he is lured into a mafia that masquerades as a legitimate racing agency. Here, he confronts a world rife with toxic masculinity and oppressive hierarchies, mirroring the extremist fascism of the era, in wich freedom is only for male hegemony. It has a style unseen in the most known man centered crime movies in this case Pipazzio always had this risk clear, but because of being out of tune with the attitudes of the average mobster, he ends up being seen as an enemy to the rest and a constant threat to his most loved ones, wich choose symbolic affairs over a conceited glorified life, making pipazzio feel his expression as a man only encapsulated him more . In terms of direction this movie doesn't invent nothing new, but uses the elements stablished by previous films in the most complete and sublime way possible creating a satyrical and predictable tension and mystery.
