Died at 90
male
Donald McNichol Sutherland (July 17, 1935 – June 20, 2024) was a Canadian actor whose film career spanned over 6 decades. He was nominated for eight Golden Globe Awards, winning two for his performances in the television films Citizen X (1995) and Path to War (2002); the former also earned him a Primetime Emmy Award. An inductee of the Hollywood Walk of Fame and Canadian Walk of Fame, he also received a Canadian Academy Award for the drama film Threshold (1981). Multiple film critics and media outlets have cited him as one of the best actors never to have received an Academy Award nomination. In 2017, he received an Academy Honorary Award for his contributions to cinema. In 2021, he won the Critics' Choice Television Award for Best Supporting Actor in a Movie/Miniseries for his work in the HBO miniseries The Undoing (2020). Sutherland rose to fame after starring in films including The Dirty Dozen (1967), M*A*S*H (1970), Kelly's Heroes (1970), Klute (1971), Don't Look Now (1973), Fellini's Casanova (1976), 1900 (1976), The Eagle Has Landed (1976), Animal House (1978), Invasion of the Body Snatchers (1978), Ordinary People (1980), and Eye of the Needle (1981). He later went on to star in many other films where he appeared either in leading or supporting roles such as A Dry White Season (1989), JFK (1991), Outbreak (1995), A Time to Kill (1996), The Assignment (1997), Without Limits (1998), Big Shot's Funeral (2001), The Italian Job (2003), Cold Mountain (2003), Pride & Prejudice (2005), Aurora Borealis (2006) and The Hunger Games franchise (2012–2015). He was the father of actors Kiefer Sutherland, Rossif Sutherland, and Angus Sutherland.
Donald Sutherland
Orlando
for Orlando in Blood and Chocolate (TV series)
Suggested by onceuponadream
Vivian Gandillon relishes the change, the sweet, fierce ache that carries her from girl to wolf. At sixteen, she is beautiful and strong, and all the young wolves are on her tail. But Vivian still grieves for her dead father; her pack remains leaderless and in disarray, and she feels lost in the suburbs of Maryland. She longs for a normal life. But what is normal for a werewolf? Then Vivian falls in love with a human, a meat-boy. Aiden is kind and gentle, a welcome relief from the squabbling pack. He’s fascinated by magic, and Vivian longs to reveal herself to him. Surely he would understand her and delight in the wonder of her dual nature, not fear her as an ordinary human would. Vivian’s divided loyalties are strained further when a brutal murder threatens to expose the pack. Moving between two worlds, she does not seem to belong in either. What is she really—human or beast? Which tastes sweeter—blood or chocolate?
