
Age: 29
female
Isabelle Fuhrman (born February 25, 1997) is an American actress. She has one older sister, Madeline, and her parents are Elina and Nick Fuhrman. Her career began when a casting director from Cartoon Network spotted her waiting for her sister and cast her for one of the shows, Cartoon Fridays. Isabelle's first acting gig came in 2006 when she booked a commercial for Rooms to Go furniture, and within a month she was asked to fly to LA to audition for shows. During that time, she scored a bunch of commercial and film roles. Isabelle also appeared in several comedy skits on The Tonight Show with Jay Leno (1992), and shortly thereafter her family moved to Los Angeles so she could further pursue her dream. Isabelle's big break came when she played Esther in Orphan (2009), which landed her critical acclaim and was hailed as "one of the most momentous examples of acting from a child performer in years." She has won the role of Clove in The Hunger Games (2012), the big-screen adaptation of literary sensation The Hunger Games. That went on to become one of the highest-grossing movies ever with over $407 million at the domestic box office. Isabelle has been featured in spreads for magazines such as Vanity Fair, Nylon, Marie Claire, Teen Vogue, V, H, Bust and Last magazine.

Isabelle Fuhrman

Kelly
for Kelly in Blood and Chocolate (TV series)
Suggested by onceuponadream

Vivian Gandillon relishes the change, the sweet, fierce ache that carries her from girl to wolf. At sixteen, she is beautiful and strong, and all the young wolves are on her tail. But Vivian still grieves for her dead father; her pack remains leaderless and in disarray, and she feels lost in the suburbs of Maryland. She longs for a normal life. But what is normal for a werewolf? Then Vivian falls in love with a human, a meat-boy. Aiden is kind and gentle, a welcome relief from the squabbling pack. He’s fascinated by magic, and Vivian longs to reveal herself to him. Surely he would understand her and delight in the wonder of her dual nature, not fear her as an ordinary human would. Vivian’s divided loyalties are strained further when a brutal murder threatens to expose the pack. Moving between two worlds, she does not seem to belong in either. What is she really—human or beast? Which tastes sweeter—blood or chocolate?
