Age: 59
female
Emily Margaret Watson (born 14 January 1967) is an English actress. She began her career on stage and joined the Royal Shakespeare Company in 1992. In 2002, she starred in productions of Twelfth Night and Uncle Vanya at the Donmar Warehouse. She was nominated for the Olivier Award for Best Actress for the latter. She was nominated for the Academy Award for Best Actress for her debut film role as a newlywed in Lars von Trier's Breaking the Waves (1996) and for her portrayal of Jacqueline du Pré in Anand Tucker's Hilary and Jackie (1998). Watson's other films include The Boxer (1997), Angela's Ashes (1999), Gosford Park (2001), Punch-Drunk Love (2002), Red Dragon (2002), The Life and Death of Peter Sellers (2004), Corpse Bride (2005), Miss Potter (2006), Synecdoche, New York (2008), Oranges and Sunshine (2010), War Horse (2011), The Theory of Everything (2014), Kingsman: The Golden Circle (2017), God's Creatures (2022), and Small Things like These (2024). She was nominated for a Primetime Emmy Award and a Golden Globe Award for her role in the HBO miniseries Chernobyl. She won the British Academy Television Award for Best Actress for playing Janet Leach in the 2011 ITV television biopic Appropriate Adult. She was nominated for the International Emmy Award for Best Actress for the 2017 BBC miniseries Apple Tree Yard. In 2024, she portrayed the lead role of Valya Harkonnen in the HBO science fiction series Dune: Prophecy. Watson is a supporter of the children's charity the NSPCC. In 2004, she was inducted into the society's hall of fame for spearheading the successful campaign to appoint a Children's Commissioner for England. Receiving her award in the crowded House of Commons, she spoke out against the possibility that the Children's Commissioner become a figurehead with little real power.
Bleak House opens in the twilight of foggy London, where fog grips the city most densely in the Court of Chancery. The obscure case of Jarndyce and Jarndyce, in which an inheritance is gradually devoured by legal costs, the romance of Esther Summerson and the secrets of her origin, the sleuthing of Detective Inspector Bucket and the fate of Jo the crossing-sweeper, these are some of the lives Dickens invokes to portray London society, rich and poor, as no other novelist has done. Bleak House, in its atmosphere, symbolism and magnificent bleak comedy, is often regarded as the best of Dickens. A 'great Victorian novel', it is so inventive in its competing plots and styles that it eludes interpretation.
