Age: 69
male
Timothy Leonard Spall (born February 27, 1957) is an English actor and presenter. He became a household name in the UK after appearing as Barry Spencer Taylor in the 1983 ITV comedy-drama series Auf Wiedersehen, Pet. Spall performed in Secrets & Lies (1996), and was nominated for the BAFTA Award for Best Actor in a Leading Role. Subsequently, he starred in many films, including Hamlet (1996), Still Crazy (1998), Nicholas Nickleby (2002), The Last Samurai (2003), Enchanted (2007), Sweeney Todd: The Demon Barber of Fleet Street (2007), The Damned United (2009), The King's Speech (2010), Ginger and Rosa (2012), Denial (2016), and The Party (2017). He voiced Nick, a cynical, portly rat in Chicken Run (2000). He played Peter Pettigrew in five Harry Potter films, from Prisoner of Azkaban (2004) to Deathly Hallows – Part 1 (2010). Spall has collaborated with director Mike Leigh, making six films together: Home Sweet Home (1982), Life is Sweet (1990), Secrets & Lies (1996), Topsy-Turvy (1999), All or Nothing (2002), and Mr. Turner (2014). Spall won great acclaim for his performance in the last of these for his portrayal as J. M. W. Turner winning him the Best Actor Award at the 2014 Cannes Film Festival. He starred in the television documentary Timothy Spall: ...at Sea (2010–2012) and in 2019 he appeared as Lord Arthur Wallington in the 6-part BBC Cold War drama Summer of Rockets.
Bleak House opens in the twilight of foggy London, where fog grips the city most densely in the Court of Chancery. The obscure case of Jarndyce and Jarndyce, in which an inheritance is gradually devoured by legal costs, the romance of Esther Summerson and the secrets of her origin, the sleuthing of Detective Inspector Bucket and the fate of Jo the crossing-sweeper, these are some of the lives Dickens invokes to portray London society, rich and poor, as no other novelist has done. Bleak House, in its atmosphere, symbolism and magnificent bleak comedy, is often regarded as the best of Dickens. A 'great Victorian novel', it is so inventive in its competing plots and styles that it eludes interpretation.
