Age: 55
male
Nicolas Winding Refn (Danish: [ˈne̝kolɑs ˈve̝nte̝ŋˈʁæfn̩]; born 29 September 1970) is a Danish film director, screenwriter, and producer. He directed the Pusher trilogy (1996–2005), the crime drama Bronson (2008), and the adventure film Valhalla Rising (2009). In 2011, he directed the action drama film Drive (2011), for which he won the Cannes Film Festival Award for Best Director. He was also nominated for the BAFTA Award for Best Direction. Refn's subsequent films were the stylistically driven action film Only God Forgives (2013) and the psychological horror film The Neon Demon (2016). In 2019, he directed his first television series, Too Old to Die Young (2019), which premiered on Amazon Prime. After Amazon's Too Old to Die Young, Refn's next project took him to Netflix and saw him returning to his native Copenhagen for the first time since Pusher 3, which was the setting for his magical realism series, Copenhagen Cowboy. In 2008, Refn co-founded the Copenhagen-based production company Space Rocket Nation. Description above from the Wikipedia article Nicolas Winding Refn, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Nicolas Winding Refn
Director
for Director in Black Mask: The Gore King (Live Action Film)
Suggested by nihilus
In Gotham’s endless night, Batman is gone and the city has rotted into a slaughterhouse carnival ruled by Black Mask, a sadist who transforms murder into performance art. His cult of killers parades through the streets, ripping spines from bodies, splintering bones, and showering alleys in arterial spray like confetti. Civilians are butchered without mercy, most rival gangs are annihilated in torrents of gore, and the Bat Family is hunted down and brutalized in public displays of mutilation, their corpses left as trophies. Only the most depraved gangs endure, bowing to Black Mask’s reign and joining the nightly carnage. Professor Pyg’s Dollotrons and his gang of pigs haunt the shadows, grotesque parodies of heroes mocking Gotham’s fall while the real ones die screaming. Each murder is staged as a fatality, each dismemberment a ritual of ecstasy for Black Mask’s followers. The blood tide builds to its final crescendo as his army storms GCPD headquarters, turning the precinct into a cathedral of gore where every cop is butchered and displayed. By dawn, Gotham belongs to sadists and monsters alone, and with Nightwing dead leaving Blüdhaven defenseless, Black Mask and his allies set their sights outward—dreaming up demented plans to shatter Metropolis and drag even Superman into their kingdom of horror.
