Age: 52
female
Kathryn Marie Hahn (born July 23, 1973) is an American actress. She began her career on television, starring as a grief counsellor in the NBC crime drama series Crossing Jordan (2001–2007). Hahn gained prominence appearing as a supporting actress in a number of comedy films, including How to Lose a Guy in 10 Days (2003), Anchorman: The Legend of Ron Burgundy (2004), Step Brothers (2008), Our Idiot Brother (2011), We're the Millers and The Secret Life of Walter Mitty (both 2013), and Glass Onion: A Knives Out Mystery (2022). As a lead actress in films, Hahn starred in Joey Soloway's comedy-drama Afternoon Delight (2013), the comedy film Bad Moms (2016) and its sequel A Bad Moms Christmas (2017), and Tamara Jenkins's drama Private Life (2018). She has appeared in various other dramatic films, including Revolutionary Road (2008), This Is Where I Leave You (2014), The Visit (2015), and Captain Fantastic (2016). She voiced Ericka Van Helsing in two films of the Hotel Transylvania franchise (2018–2022) and Doctor Octopus in Spider-Man: Into the Spider-Verse (2018). In television, Hahn had guest roles on the NBC sitcom Parks and Recreation (2012–2015) and the Amazon Prime Video comedy-drama series Transparent (2014–2019). Hahn starred in the HBO miniseries Mrs. Fletcher (2019) and I Know This Much Is True (2020). She portrayed Agatha Harkness in the Disney+ miniseries WandaVision (2021) and its spin-off Agatha All Along (2024). For the former, she was nominated for a Primetime Emmy Award for Outstanding Supporting Actress. For starring in the Hulu series Tiny Beautiful Things (2023), she received a nomination for a Primetime Emmy Award for Outstanding Lead Actress. Description above from the Wikipedia article Kathryn Hahn, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A group of sorority sisters faces a terrifying Christmas break when a mysterious killer stalks their house. As the women prepare to leave campus, they discover they're not alone—a sinister presence lurks in the attic, watching their every move. One by one, the girls vanish under horrifying circumstances, their screams echoing through the darkened halls. With phones cut and help impossibly far away, the remaining survivors must band together to uncover the killer's identity and survive the night. Trapped in their own home during the holiday season, they confront not just a masked madman, but the psychological terror of not knowing who—or what—hunts them. Tension builds as paranoia spreads and trust fractures. This visceral slasher combines 1980s practical effects with genuine dread, transforming a festive setting into a nightmare where Christmas carols become a haunting soundtrack to survival.
