Age: 76
female
The very beautiful and talented model, actress, and author Erin Gray (born January 7, 1950) was one of the first models to successfully crossover into television. She is best known as "Kate Summers" on the highly watched TV show "Silver Spoons" (1982), and "Colonel Wilma Deering" on the TV show "Buck Rogers in the 25th Century" (1979). Many women admired her commanding role as Col Deering, while many men admired her beautiful looks and sexy figure. Erin Gray was born on January 7, 1950 in Honolulu. Gray moved with her family from Hawaii to California when she was eight years old and graduated from Pacific Palisades High School. She was fifteen when a chance meeting with Nina Blanchard, head of one of Hollywood's top model agencies, convinced her what she wanted to do in life. Moving to New York, she became one of the town's most sought-after models, in elite company with Farrah Fawcett, Veronica Hamel and Susan Blakely. TV viewers encountered her commercials for Breck, Max Factor, Clairol, Camay Soap and RC Cola, and a classic spot--for English Leather cologne--in which she provocatively declared, "My men wear English Leather--or they wear nothing at all!" Between modeling assignments, she studied acting with well-known coach Warren Robertson and, when movie-TV offers came in, she was ready. Universal was impressed by her performances on such series as "Police Story" (1973) and "Gibbsville" (1976) and signed her to a seven-year contract. Under that pact, the studio co-starred her as a tough-minded newspaper reporter in Irwin Shaw's Evening in Byzantium (1978) (TV). Her performance scored with both critics and audiences, and led directly to the role in "Buck Rogers in the 25th Century" (1979). As a result, she has become a regular commuter between Hollywood and New York, the hub of the magazine and fashion world.
A group of sorority sisters faces a terrifying Christmas break when a mysterious killer stalks their house. As the women prepare to leave campus, they discover they're not alone—a sinister presence lurks in the attic, watching their every move. One by one, the girls vanish under horrifying circumstances, their screams echoing through the darkened halls. With phones cut and help impossibly far away, the remaining survivors must band together to uncover the killer's identity and survive the night. Trapped in their own home during the holiday season, they confront not just a masked madman, but the psychological terror of not knowing who—or what—hunts them. Tension builds as paranoia spreads and trust fractures. This visceral slasher combines 1980s practical effects with genuine dread, transforming a festive setting into a nightmare where Christmas carols become a haunting soundtrack to survival.
