
Age: 68
female
Terri Hawkes (born 1958 or 1959)[3] is a Canadian actress and writer, known for playing Kelly Hennenlotter in the horror film, Hello Mary Lou: Prom Night II, Adrienne in Beverly Hills 90210, Wendy Masters in General Hospital, and for being the second English dub voice actress of the title character of the Japanese anime Sailor Moon. She is the daughter of politician Jim Hawkes.[4] Hawkes' other voice acting roles include Baby Hugs Bear in The Care Bears Movie, and reprised the role in Nelvana's Care Bears TV show, where she also voiced Shreeky (No Heart's niece). Hawkes also had a role playing Monika Barnes in the early episodes of Traders, and also was the voice of a 3D sphere in Max Maven's The MAXimum Dimension. Hawkes also worked as a voice director for the children's animated series Flying Rhino Junior High, and the English version of the 1996 Canadian Horror film Karmina and was an assistant voice director for Sailor Moon. She also wrote the screenplay of the 2002 film The Book of Eve and one episode of the Canadian children's animated series Anne of Green Gables: The Animated Series which was broadcast on TVO in Canada and PBS in America. Since 2007, Hawkes has concentrated on writing and directing, with a focus on works that empower women.[5] She finished an M.A in Gender, Feminist and Women's Studies, and is currently working on a doctorate in Gender Feminist and Women's Studies at York University.[6][7] She currently lives with her two children in Toronto, Ontario. In May 2017, Hawkes divorced from her husband, retired producer Jeff Sackman. Sackman was the founder of the defunct film company thinkfilm.

Terri Hawkes

Lauren Hannon
for Lauren Hannon in Black Christmas (1986)
Suggested by chris83

A group of sorority sisters faces a terrifying Christmas break when a mysterious killer stalks their house. As the women prepare to leave campus, they discover they're not alone—a sinister presence lurks in the attic, watching their every move. One by one, the girls vanish under horrifying circumstances, their screams echoing through the darkened halls. With phones cut and help impossibly far away, the remaining survivors must band together to uncover the killer's identity and survive the night. Trapped in their own home during the holiday season, they confront not just a masked madman, but the psychological terror of not knowing who—or what—hunts them. Tension builds as paranoia spreads and trust fractures. This visceral slasher combines 1980s practical effects with genuine dread, transforming a festive setting into a nightmare where Christmas carols become a haunting soundtrack to survival.





