Age: 75
female
Amy Marie Madigan (born September 11, 1950) is an American actress. She has acted on stage and screen, and has received a Golden Globe Award, an Academy Award, as well as nominations for an Emmy Award. She has been married to actor Ed Harris since 1983. Madigan made her film debut in the drama Love Child (1982), for which she was nominated for the Golden Globe Award for New Star of the Year – Actress. For playing a woman in a difficult marriage in the drama film Twice in a Lifetime (1985), she earned a nomination for the Academy Award and Golden Globe Award for Best Supporting Actress. She has also acted in Love Letters (1984), Alamo Bay (1985), Nowhere to Hide (1987), Uncle Buck (1989), Field of Dreams (1989), Female Perversions (1996), Pollock (2000), and Gone Baby Gone (2007). After a lack of "meaningful roles", she gained newfound attention for her performance in the horror film Weapons (2025). On television, Madigan portrayed Sarah Weddington in the television film Roe vs. Wade (1989), for which she won the Golden Globe Award and was nominated for a Primetime Emmy Award. She also took roles in the HBO series Carnivàle (2003–2005), Grey's Anatomy (2008–2009), and Fringe (2009). On stage, she has acted in the Off-Broadway production of The Lucky Spot (1987), for which she was nominated for the Drama Desk Award for Outstanding Actress in a Play, and a 1992 Broadway production of A Streetcar Named Desire in the role of Stella Kowalski. Description above from the Wikipedia article Amy Madigan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A group of sorority sisters faces a terrifying Christmas break when a mysterious killer stalks their house. As the women prepare to leave campus, they discover they're not alone—a sinister presence lurks in the attic, watching their every move. One by one, the girls vanish under horrifying circumstances, their screams echoing through the darkened halls. With phones cut and help impossibly far away, the remaining survivors must band together to uncover the killer's identity and survive the night. Trapped in their own home during the holiday season, they confront not just a masked madman, but the psychological terror of not knowing who—or what—hunts them. Tension builds as paranoia spreads and trust fractures. This visceral slasher combines 1980s practical effects with genuine dread, transforming a festive setting into a nightmare where Christmas carols become a haunting soundtrack to survival.
