
Died at 87
female
From Wikipedia, the free encyclopedia Dawn Elberta Wells (October 18, 1938 - December 30, 2020) was an American actress who is best known for her role as Mary Ann Summers on the CBS sitcom Gilligan's Island. She and Tina Louise are the last surviving regular cast members from that series. In Hollywood, Wells made her debut on ABC's The Roaring 20s and the movie The New Interns and was cast in episodes of such television series as 77 Sunset Strip, The Cheyenne Show, Maverick, and Bonanza, before she took the role of Mary Ann on Gilligan's Island. She reprised her character in the various Gilligan's Island reunion specials, including the reunion cartoon spin-off Gilligan's Planet and three reunion movies: Rescue from Gilligan's Island, The Castaways on Gilligan's Island, and The Harlem Globetrotters on Gilligan's Island. She also appeared as a guest star on Wagon Train, Tales of Wells Fargo, 87th Precinct, Surfside 6, Hawaiian Eye, Ripcord, The Everglades, The Detectives, It's a Man's World, Channing, Laramie, Burke's Law, The Invaders, The Wild Wild West, The F.B.I., Vega$, The Love Boat, Fantasy Island, Matt Houston, ALF, Herman's Head, Three Sisters, Pastor Greg, and Roseanne. Following Gilligan's Island, Wells embarked on a theater career, appearing in nearly one hundred theatrical productions as of July 2009. She spent the majority of the 1970s, and 1980s, touring in musical theater productions. She also had a one-woman show at the MGM Grand Hotel and Casino in Las Vegas in 1985. In 1993, Wells published Mary Ann's Gilligan's Island Cookbook with co-writers Ken Beck and Jim Clark, including a foreword by Bob Denver. She was close to Alan Hale Jr., who played The Skipper in Gilligan's Island, even after the series completed its run, and he contributed a family recipe ("Kansas Chicken and Dumplings") to her cookbook. Hale's character was the inspiration behind such concoctions as Skipper's Coconut Pie, Skipper's Navy Bean Soup, and Skipper's Goodbye Ribeye, and he is depicted as Skipper Jonas Grumby in numerous photographs throughout the book. She said in a 2014 interview with GoErie.com, "Alan could not have been kinder to a young actress. He was a real peach." In 2005, Wells consigned her original gingham blouse and shorts ensemble for sale from her signature role. Beverly Hills auction house Profiles in History sold it for $20,700. In 2008, she joined Gilligan's Island creator Sherwood Schwartz in Los Angeles for the celebration of Schwartz's entry into the Hollywood Walk of Fame. She appeared on the "Celebrity Holiday Bash" episode of Food Network's Chopped, which first aired December 1, 2013. In 2014, Wells released What Would Mary Ann Do? A Guide to Life, which she co-wrote with Steve Stinson. The book was released to coincide with the 50th anniversary of Gilligan's Island. Gilligan's Island co-star Russell Johnson died on January 16, 2014, and Wells and Tina Louise are the only surviving cast members of the sitcom. In May 2016, Wells was named Marketing Ambassador to MeTV Network. In January 2019, Wells was seen promoting the Gilligan's Island television series on the MeTV television network. CLR

Black Christmas follows a group of sorority sisters during the Christmas holiday break as they prepare to leave their house for winter vacation. When several members decide to stay behind, they begin receiving mysterious and increasingly disturbing phone calls from an unknown caller lurking somewhere within the house itself. As the women try to determine the source of the calls and escape their predicament, they discover that a dangerous intruder has infiltrated their home. Trapped together during the festive season, the sorority sisters must band together to survive the night and unmask the killer in their midst. The film masterfully builds tension through minimal dialogue and unseen threats, creating an atmosphere of claustrophobic dread. With its innovative use of point-of-view camera work and the killer's perspective, Black Christmas pioneered many techniques that would become staples of the slasher genre. The film transforms the warmth and joy of Christmas into a backdrop for psychological horror, as the women face both external danger and their own mounting paranoia.






