Age: 80
female
Goldie Jeanne Hawn (born November 21, 1945) is an American actress, director, producer, and occasional singer. She started as a dancer, first in New York and then in Los Angeles. On the cast of TV's Laugh-In, the mod comedy show of the late 1960s, she flubbed jokes in a bikini and became one of the show's most popular co-stars. She then proved the ding-a-ling act was just an act -- she won an Oscar for a supporting role in Cactus Flower (1969, with Walter Matthau) and turned in a solid performance in Steven Spielberg's The Sugarland Express (1974). She had her first blockbuster, Private Benjamin in 1980, and has since had a steady career as a leading lady in hits and misses, often acting as her own producer. Some of her movies include Shampoo (1975, starring Warren Beatty), Overboard (1987, with Kurt Russell), Bird on a Wire (1990, with Mel Gibson), Death Becomes Her (1992, with Bruce Willis), Housesitter (1992, with Steve Martin), The First Wives Club (1996, with Diane Keaton), and The Banger Sisters (2002, with Susan Sarandon), among many others. She has been in a decades-long relationship with actor Kurt Russell and is the mother of actress Kate Hudson, actor Oliver Hudson, and actor Wyatt Russell.
Black Christmas follows a group of sorority sisters during the Christmas holiday break as they prepare to leave their house for winter vacation. When several members decide to stay behind, they begin receiving mysterious and increasingly disturbing phone calls from an unknown caller lurking somewhere within the house itself. As the women try to determine the source of the calls and escape their predicament, they discover that a dangerous intruder has infiltrated their home. Trapped together during the festive season, the sorority sisters must band together to survive the night and unmask the killer in their midst. The film masterfully builds tension through minimal dialogue and unseen threats, creating an atmosphere of claustrophobic dread. With its innovative use of point-of-view camera work and the killer's perspective, Black Christmas pioneered many techniques that would become staples of the slasher genre. The film transforms the warmth and joy of Christmas into a backdrop for psychological horror, as the women face both external danger and their own mounting paranoia.
