Died at 77
female
Margaret Ruth "Margot" Kidder (October 17, 1948 – May 13, 2018) was a Canadian-American actress, director, and activist whose career spanned over five decades. Her accolades include three Canadian Screen Awards and one Daytime Emmy Award. Though she appeared in an array of films and television, Kidder is most widely known for her performance as Lois Lane in the Superman film series, appearing in the first four films. Born in Yellowknife to a Canadian mother and an American father, Kidder was raised in the Northwest Territories as well as several other Canadian provinces. She began her acting career in the 1960s appearing in low-budget Canadian films and television series, before landing a lead role in Quackser Fortune Has a Cousin in the Bronx (1970). She then played twins in Brian De Palma's cult thriller Sisters (1973), a sorority student in the slasher film Black Christmas (1974) and the titular character's girlfriend in the drama The Great Waldo Pepper (1975), opposite Robert Redford. In 1977, she was cast as Lois Lane in Richard Donner's Superman (1978), a role which established her as a mainstream actress. Her performance as Kathy Lutz in the blockbuster horror film The Amityville Horror (1979) gained her further mainstream exposure, after which she went on to reprise her role as Lois Lane in Superman II, III, and IV (1980–1987). The 1990s were marked by significant health problems for Kidder: In 1990, she sustained serious injuries in a car accident that left her temporarily paralyzed, and she later had a highly publicized manic episode and nervous breakdown in 1996 stemming from bipolar disorder. By the 2000s, she maintained steady work in independent films and television, with guest-starring roles on Smallville, Brothers & Sisters and The L Word, and appeared in a 2002 Off-Broadway production of The Vagina Monologues. In 2015, she won a Daytime Emmy Award for her performance on the children's television series R.L. Stine's The Haunting Hour.
Margot Kidder
Clair Crosby
for Clair Crosby in Black Christmas (1966)
Suggested by chris83
Black Christmas follows a group of sorority sisters during the Christmas holiday break as they prepare to leave their house for winter vacation. When several members decide to stay behind, they begin receiving mysterious and increasingly disturbing phone calls from an unknown caller lurking somewhere within the house itself. As the women try to determine the source of the calls and escape their predicament, they discover that a dangerous intruder has infiltrated their home. Trapped together during the festive season, the sorority sisters must band together to survive the night and unmask the killer in their midst. The film masterfully builds tension through minimal dialogue and unseen threats, creating an atmosphere of claustrophobic dread. With its innovative use of point-of-view camera work and the killer's perspective, Black Christmas pioneered many techniques that would become staples of the slasher genre. The film transforms the warmth and joy of Christmas into a backdrop for psychological horror, as the women face both external danger and their own mounting paranoia.
