
Age: 50
male
David Oyetokunbo Oyelowo (/oʊˈjɛloʊwoʊ/ oh-YEL-oh-woh; Yoruba pronunciation; born 1 April 1976) is a British actor, director and producer. His accolades include a Critics' Choice Award, two NAACP Image Awards, and nominations for three Golden Globe Awards, two Primetime Emmy Awards, a Screen Actors Guild Award, and a BAFTA Award. In 2016, he was appointed as an officer of the Order of the British Empire (OBE) for his services to drama. Oyelowo rose to prominence for portraying Martin Luther King Jr. in the biographical drama Selma (2014) and Peter Snowden in the HBO film Nightingale (2014), which garnered him critical acclaim. He also achieved praise for his roles as Louis Gaines in The Butler (2013), Seretse Khama in A United Kingdom (2016) and Robert Katende in Queen of Katwe (2016). He has also played supporting roles in the films Rise of the Planet of the Apes (2011), The Help (2011), Lincoln (2012), Red Tails (2012), and Jack Reacher (2012). On television, Oyelowo has played MI5 officer Danny Hunter in the British drama series Spooks (2002–2004) and Javert in the BBC miniseries Les Misérables (2018). He also provided the voice for Agent Alexsandr Kallus in the Lucasfilm Animation series Star Wars Rebels (2014–2018) and Holston Becker in the Apple+ drama series Silo. He stars in and co-produces the 2023 Paramount+ western series Lawmen: Bass Reeves. Description above from the Wikipedia article David Oyelowo, licensed under CC-BY-SA, full list of contributors on Wikipedia.

David Oyelowo

Mr. Harrison
for Mr. Harrison in Between Perfect and Real
Suggested by meredithh

Dean Foster knows he’s a trans guy. He’s watched enough YouTube videos and done enough questioning to be sure. But everyone at his high school thinks he’s a lesbian—including his girlfriend Zoe, and his theater director, who just cast him as a “nontraditional” Romeo. He wonders if maybe it would be easier to wait until college to come out. But as he plays Romeo every day in rehearsals, Dean realizes he wants everyone to see him as he really is now––not just on the stage, but everywhere in his life. Dean knows what he needs to do. Can playing a role help Dean be his true self?
