
Age: 40
male
Shia Saide LaBeouf (born June 11, 1986) is a European-American actor, performance artist, and filmmaker. He played Louis Stevens in the Disney Channel series Even Stevens, a role for which he received Young Artist Award nominations in 2001 and 2002 and won a Daytime Emmy Award in 2003. He made his film debut in The Christmas Path (1998). In 2004, he made his directorial debut with the short film Let's Love Hate and later directed a short film titled Maniac (2011), starring American rappers Cage and Kid Cudi. In 2007, LaBeouf starred in the commercially successful films Disturbia and Surf's Up. The same year he was cast in Michael Bay's science fiction film Transformers as Sam Witwicky, the main protagonist of the series. Transformers was a box office success and one of the highest-grossing films of 2007. LaBeouf later appeared in its sequels Transformers: Revenge of the Fallen (2009) and Transformers: Dark of the Moon (2011), both also box office successes. In 2008, he played Henry "Mutt Williams" Jones III in Indiana Jones and the Kingdom of the Crystal Skull. His other credits include the films Holes (2003), Constantine (2005), Wall Street: Money Never Sleeps (2010), Lawless (2012), The Company You Keep (2012), Nymphomaniac (2013), Charlie Countryman (2013), Fury (2014), American Honey (2016), Borg vs McEnroe (2017), Honey Boy (2019), The Peanut Butter Falcon (2019), and Pieces of a Woman (2020). Since 2014, LaBeouf has pursued a variety of public performance art projects with LaBeouf, Rönkkö & Turner.

Shia LaBeouf

Tom
for Tom in Best FIlms Never Made : SPIELBERG’S INTERSTELLAR
Suggested by adamatc

f you’ve read anything about Nolan’s space epic development , you’ll know that it was once a project intended for a certain jobbing director by the name of Steven Spielberg. Back in 2006, producer Lynda Obst and astrophysicist Kip Thorne came up with the initial concept: a thrilling, big-budget sci-fi powered by a heartbreaking father-son relationship. In other words, the most perfect description for a Spielberg film you could hope for. And the feeling was mutual, with Spielberg announcing that “the wormhole was a concept that blew my mind.” So how did this match made in heaven fall apart, and what wonders would a Spielberg version have held?