Based on the historical figure François "Papa Doc" Duvalier—the dictator of Haiti which focuses on a hypothetical Voodoo mysticism and fear to maintain power—and considering a supernatural horror/biopic angle title “The Black Christ” (or “The Kingdom of the Bone Doctor”), here are several ideas for a potential Paramount Pictures project starring Giancarlo Esposito, as Papa Doc, the dictator who turned his grip on Haiti by blending politics with Voodoo and his paramilitary secret police, the “Tonton Macoutes” (VSN) named after the Haitian mythological "Uncle Gunnysack" who kidnapped and ate children. Unlike Wes Craven's 1988 film, The Serpent and the Rainbow, they wore distinctive blue denim uniforms and red scarves, evoking the peasant god Azaka Medeh to instill both fear and a sense of "authentic" Haitian identity, with Duvalier dressed as Baron Samedi (a, black frock coat, top hat, dark glasses) to convince the population he was a supernatural entity, with the idea aligns with Duvalier’s real-life history of blending medical science, brutal dictatorship, and supernatural Vodou mysticism. Named after the Vodou loa (spirit) of the dead, whom Duvalier famously dressed as to strike fear into the Haitian people as well as playing on his claim to have supernatural control over the lives and deaths of his subjects. On 21 June 1964, after declaring himself President for Life, Duvalier officially changed the Haitian flag and coat of arms from blue and red to black and red. The black symbolized the nation's ties to Africa and a rejection of colonial influence, while the red represented the blood of the revolution. Most of Papa Doc’s victims of these "night raids" did not just disappear; they were transformed into an ever-growing army of undead slaves and "Demon Troopers," psychically bound to Duvalier's will. The Macoutes were tasked with forced disappearances, torture, and murder, eliminating anyone suspected of opposing "Papa Doc." Victims were often killed at night, and their bodies were sometimes displayed in public to maximize terror. Papa Doc exploited the fear of "zombification," a genuine cultural fear in Haiti, to terrorize the populace. The Tonton Macoutes would threaten to make enemies "disappear" or turn them into zombies, which often perpetuated by the regime itself, suggested that human sacrifices were made at Voodoo ceremonies, with blood rituals designed to steal the souls of dissidents and place them in voodoo jars to be used as undead slaves by the Macoutes.