Age: 37
female
Alicia Amanda Vikander (born 3 October 1988) is a Swedish actress. She is the recipient of various accolades, including an Academy Award, and nominations for two Golden Globe Awards and three British Academy Film Awards. Born and raised in Gothenburg, Vikander began acting as a child in minor stage productions at the Gothenburg opera house and trained as a ballet dancer at the Royal Swedish Ballet in Stockholm. She began her acting career in Swedish short films and television series and first gained recognition for her role in the drama series Andra Avenyn (2008–2010). She made her feature film debut in Pure (2010), for which she won the Guldbagge Award for Best Actress. She gained wider recognition in 2012 for playing Kitty in Joe Wright's adaptation of Anna Karenina and Queen Caroline Mathilde in the Danish film A Royal Affair. Vikander achieved global recognition for her roles as Vera Brittain in Testament of Youth (2014), a humanoid robot in Ex Machina (2014), for which she was nominated for the BAFTA Award for Best Actress in a Supporting Role, and Gerda Wegener in The Danish Girl (2015), for which she won the Academy Award for Best Supporting Actress. In 2016, Vikander was listed by Forbes in its 30 Under 30 list. She has since starred in the action film Jason Bourne (2016), the fantasy film The Green Knight (2021), the miniseries Irma Vep (2022), the historical drama Firebrand (2023), the horror comedy Rumours (2024) and the sci-fi thriller The Assessment (2024). Description above from the Wikipedia article Alicia Vikander, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Alicia Vikander
Lillian Arch
for Lillian Arch in Bela: Children of the Night (Biopic)
Suggested by kaueoliveira
"Bela: Children of the Night" is a tragic, atmospheric drama that peels back the cape of Hollywood’s most famous monster to reveal the proud, broken man underneath. The film begins in 1931 with Bela Lugosi at the height of his powers—an aristocratic Hungarian theater star who conquers America as Dracula. He is charismatic, intensely , and convinced he is the next romantic lead of the silver screen. However, the narrative quickly descends into the nightmare of typecasting. The film explores Bela's pride as his greatest enemy; his refusal to play "mute brutes" (like Frankenstein's monster) allows his rival, the gentle and British Boris Karloff, to eclipse him. As the horror genre fades and the studios turn their backs, Bela spirals into a harrowing addiction to morphine to treat his chronic war injuries. The third act is a heartbreaking look at his twilight years: living in near-poverty, deluded by his own legacy, and finding a strange, exploitative, yet affectionate final friendship with the young, inept director Ed Wood. It is a story about an immigrant who wanted to be a star but was forced to be a monster until the end.
