Age: 79
male
Jonathan Pryce, CBE (born June 1, 1947) is a Welsh stage and film actor and singer. He earned an Academy Award nomination for his performance in the 2019 film "The Two Popes." After studying at the Royal Academy of Dramatic Art and meeting his long time partner, English actress Kate Fahy, in 1974, he began his career as a stage actor in the 1970s. His work in theatre, including an award-winning performance in the title role of the Royal Court Theatre's "Hamlet", led to several supporting roles in film and television. He made his breakthrough screen performance in Terry Gilliam's 1985 cult film "Brazil". Critically lauded for his versatility, Pryce has participated in big-budget films such as "Evita", "Tomorrow Never Dies", "Pirates of the Caribbean" and "The New World", as well as independent projects such as "Glengarry Glen Ross" and "Carrington". His career in theatre has also been prolific, and he has won two Tony Awards—the first in 1977 for his Broadway debut in "Comedians", the second for his 1991 role as "The Engineer" in the musical "Miss Saigon".
Jonathan Pryce
Alfred Pennyworth
for Alfred Pennyworth in Batman vs Superman: Asylum
Suggested by mikeprater
The Joker is deceased. Batman is retired. Bruce Wayne lives the life he always wanted--happily and in love. Newly married to Elizabeth Miller, now Elizabeth Miller-Wayne, days into their honeymoon, she is murdered by the Joker. Meanwhile, Clark Kent, struggling with his recent divorce from Lois Lane, moves back to his family's farm in Smallville. Grief-stricken and enraged, Bruce dons the Batsuit once more with the intention of murdering the Joker. Superman intervenes, forcing Batman to face off with his former friend. Lex Luthor is imprisoned, but uses the situation to secretly manipulate both heroes and orchestrate their conflict. Ultimately, Batman overcomes his rage rather than succumbing to his dark impulses. The two iconic heroes put aside their differences, team up, and defeat Lex Luthor in a mechanized suit during a chaotic meteor storm.
