Age: 56
male
Sheridan Taylor Gibler Jr. (born May 21, 1970), known professionally as Taylor Sheridan, is an American writer, producer, director, and actor. He is best known as the co-creator of the television series Yellowstone and creator of its prequels 1883 (2021) and 1923 (2022). Sheridan has written several films, including the screenplay for Sicario (2015), for which he was nominated for the Writers Guild of America Award for Best Original Screenplay. He was nominated for the Academy Award for Best Original Screenplay for Hell or High Water (2016), which was nominated for three other Oscars, including Best Picture. Sheridan also wrote and directed the 2017 neo-Western crime film Wind River and wrote the 2018 sequel to Sicario. Sheridan got his start portraying Danny Boyd in Veronica Mars (2005–2007) as well as portraying David Hale in the FX television series Sons of Anarchy. He has since created several series for Paramount+, including the crime thriller Mayor of Kingstown, and the crime drama Tulsa King, (which he co-writes with Terence Winter), the espionage thriller Lioness and the drama Landman. In 2021, Sheridan was inducted into the Texas Cowboy Hall of Fame. In 2024, Sheridan was inducted into the Texas Business Hall of Fame. He is an honorary graduate at Texas Christian University. Description above from the Wikipedia article Taylor Sheridan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Taylor Sheridan
Writer
for Writer in Batman vs. Robin (Live Action Remake)
Suggested by go77e
*rewritten for live action* After the events of Son of Batman, Bruce Wayne struggles to raise Damian — a child trained from birth to kill — in a world of moral restraint. Their uneasy relationship begins to fracture as a string of grisly, ritualistic child abductions grips Gotham. As Bruce investigates, he uncovers whispers of a shadow society: the Court of Owls, an ancient cabal that has manipulated Gotham’s elite from the shadows for centuries. Damian, feeling increasingly alienated and suffocated by his father’s rules, is approached by Talon, the Court’s deadly enforcer. Talon offers Damian a twisted version of family — one that embraces his violent instincts rather than suppresses them. The Court sees Damian not only as a weapon but as a potential heir to their legacy. As Bruce digs deeper, he learns that the Court was involved in the downfall of the Waynes and that their influence reaches into Gotham’s deepest institutions. At the same time, Damian is seduced by their vision of power, vengeance, and purpose — all things Bruce has denied him. This culminates in a psychological and physical confrontation: not just between Batman and Robin, but between two ideologies — legacy vs. destiny, control vs. freedom, justice vs. vengeance. In the end, Damian rejects the Court — not out of loyalty to Bruce, but because he begins to forge a third path: one that honors both who he was made to be, and who he’s choosing to become. The Court is exposed, but not destroyed, retreating back into myth. Talon is defeated but vanishes, hinting at a larger game.
