Age: 30
female
Anya-Josephine Marie Taylor-Joy (/ˈænjə/; born 16 April 1996) is an American actress and voice actress. Born in Miami and raised in Buenos Aires and London, she left school at 16 to pursue an acting career. After several minor television roles, her breakthrough came with a leading role in the horror film The Witch (2015). Her career progressed with roles in the horror film Split (2016) and its sequel Glass (2019), the black comedy film Thoroughbreds (2017), and playing Emma Woodhouse in the period drama Emma (2020). Taylor-Joy featured in the television crime drama series Peaky Blinders (2019–2022) and earned international recognition for playing Beth Harmon in the period drama miniseries The Queen's Gambit (2020), winning a Golden Globe Award and a SAG Award, in addition to a nomination for a Primetime Emmy Award. She then starred in the horror film Last Night in Soho (2021), the action films The Northman (2022) and The Gorge (2025), and the black comedy The Menu (2022). She also voiced Princess Peach in the animated film The Super Mario Bros. Movie (2023). She starred as Imperator Furiosa in the apocalyptic film Furiosa: A Mad Max Saga (2024). Description above from the Wikipedia article Anya Taylor-Joy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Anya Taylor-Joy
Batwoman / Kate Kane (vision tease)
for Batwoman / Kate Kane (vision tease) in Batman vs. Robin (Live Action Remake)
Suggested by go77e
*rewritten for live action* After the events of Son of Batman, Bruce Wayne struggles to raise Damian — a child trained from birth to kill — in a world of moral restraint. Their uneasy relationship begins to fracture as a string of grisly, ritualistic child abductions grips Gotham. As Bruce investigates, he uncovers whispers of a shadow society: the Court of Owls, an ancient cabal that has manipulated Gotham’s elite from the shadows for centuries. Damian, feeling increasingly alienated and suffocated by his father’s rules, is approached by Talon, the Court’s deadly enforcer. Talon offers Damian a twisted version of family — one that embraces his violent instincts rather than suppresses them. The Court sees Damian not only as a weapon but as a potential heir to their legacy. As Bruce digs deeper, he learns that the Court was involved in the downfall of the Waynes and that their influence reaches into Gotham’s deepest institutions. At the same time, Damian is seduced by their vision of power, vengeance, and purpose — all things Bruce has denied him. This culminates in a psychological and physical confrontation: not just between Batman and Robin, but between two ideologies — legacy vs. destiny, control vs. freedom, justice vs. vengeance. In the end, Damian rejects the Court — not out of loyalty to Bruce, but because he begins to forge a third path: one that honors both who he was made to be, and who he’s choosing to become. The Court is exposed, but not destroyed, retreating back into myth. Talon is defeated but vanishes, hinting at a larger game.
