Age: 68
male
Giancarlo Giuseppe Alessandro Esposito (born April 26, 1958) is an American actor. He is known for portraying Gus Fring in the AMC crime drama series Breaking Bad from 2009 to 2011 and its prequel series Better Call Saul from 2017 to 2022. He won the Critics' Choice Television Award for Best Supporting Actor in a Drama Series twice for this role. He earned three nominations for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series. His other television roles include federal agent Mike Giardello in the NBC series Homicide: Life on the Street (1998–1999), Sidney Glass / Magic Mirror in the ABC fantasy series Once Upon a Time (2011–2017), Tom Neville in the NBC series Revolution (2012–2014), Dr. Edward Ruskins in the Netflix series Dear White People (2017–2021), Stan Edgar in the Amazon series The Boys (2019–present) and The Boys Presents: Diabolical (2022), and Moff Gideon in the Disney+ series The Mandalorian (2019–2023), the lattermost of which earned him two Primetime Emmy Award nominations. He also portrayed Adam Clayton Powell Jr. in the MGM+ series Godfather of Harlem (2019–present), acted in the HBO drama series Westworld (2016), and starred in the Netflix television series Kaleidoscope (2023), The Gentlemen (2024), and The Residence (2025). He is also known for his collaboration with Spike Lee, acting in several of his films, such as School Daze (1988), Do the Right Thing (1989), Mo' Better Blues (1990), and Malcolm X (1992). His other major films include Taps (1981), King of New York (1990), Bob Roberts (1992), Fresh (1994), The Usual Suspects (1995), Ali (2001), Monkeybone (2001), Last Holiday (2006), Rabbit Hole (2010), Okja (2017), Megalopolis (2024), MaXXXine (2024), and Captain America: Brave New World (2025). He voiced Akela in the live-action remake of The Jungle Book (2016). Description above from the Wikipedia article Giancarlo Esposito, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Giancarlo Esposito
Mister Freeze
for Mister Freeze in Batman: The Caped Crusader
Suggested by stingraykid
By taking what feels like an unconventional and unsettling pairing and attaching it to a harder, more authoritarian take on Batman and Gotham that Black Label allows, this dense issue both captures a great deal of Batman's noir aspects and pushes the boundaries of what readers expect from both hero and villain. The issue spends most of its time setting up for The Joker's pitch for a team up with Batman and in doing so, makes it clear this Gotham is something akin to a "classic version," with a Harley Quinn who when in trouble still has faith that her "Puddin'" will come to her aid. While on many levels that is a questionable choice—there is something unnecessary about damsel-ing Harley to set a tone—it certainly gives the reader a landmark for where they are in Gotham.
