Age: 84
male
From Wikipedia, the free encyclopedia. David Aaron Proval (born May 20, 1942) is an American actor, known for his roles as Richie Aprile on the HBO television series The Sopranos and as Tony DeVienazo in the 1973 Martin Scorsese film Mean Streets opposite Robert De Niro and Harvey Keitel. Proval was born in Brooklyn, New York of Jewish heritage, the son of actress Clara Katz of Romanian origin. He has appeared in such feature films as The Shawshank Redemption, Mob Queen, Four Rooms, UHF, Innocent Blood, The Siege, a cameo appearance in Smokin' Aces, and has had recurring roles in television shows such as Picket Fences, Boomtown and Everybody Loves Raymond. In 1977 his voice was heard in the cult animated film WIZARDS, as the robot assassin Necron 99. In 2008, David Proval starred in the comedy City of Shoulders and Noses. The film is being produced by Sybil Danning, George Parra, and Tommy Ardolino. Description above from the Wikipedia article David Proval, licensed under CC-BY-SA,full list of contributors on Wikipedia.
David Proval
Jake
for Jake in Batman: Mask of the Phantasm (1993 Live Action)
Suggested by go77e
*rewritten for live action* In a Gotham gripped by crime and political maneuvering, high-profile mobsters are being murdered — each found at the scene of their death muttering the same thing: "It was the Batman." The killings begin with Chuckie Sol, a flashy crime lord ambushed in his garage by a ghostly, masked figure. Then Buzz Bronski, a thuggish enforcer, is dragged to his grave — literally — during a funeral. Fear ripples through Gotham’s old mob circles, especially among those once involved in a mysterious disappearance from years prior. Gotham’s press, led by ambitious city councilman Arthur Reeves, quickly blames Batman. As public opinion turns, Bruce Wayne is forced to reevaluate both his public image and his mission. Amid this storm, Andrea Beaumont returns to Gotham. Her arrival stirs up buried memories in Bruce: a time before the cowl, when love nearly pulled him away from vengeance. Flashbacks reveal their near-engagement — and her sudden, unexplained departure — which shattered Bruce and helped solidify his path as Batman. As Bruce investigates, he discovers the murdered gangsters — Sol, Bronski, and the now-terrified Salvatore Valestra — were all connected to Andrea’s father, Carl Beaumont, a financial adviser who vanished after embezzling from them. Desperate for protection, Valestra turns to a terrifying wildcard: the Joker, now living in isolation, his history as a former hitman for the mob buried under madness. When Valestra winds up dead with a smile carved across his face, Bruce begins to suspect Joker may be behind the original crime — but not these new murders. Eventually, Batman uncovers the truth: Andrea is the masked killer — the Phantasm — seeking revenge for her father’s murder, orchestrated years ago by the same mobsters she’s now hunting. Her vendetta spirals toward Gotham’s industrial district, where the Joker now resides in the ruins of the World’s Fair — a decaying monument to lost dreams that Andrea and Bruce once visited together. In a final confrontation, Andrea faces Joker, who gleefully admits to executing her father. She nearly kills him, but Batman intervenes — not to save Joker, but to stop Andrea from crossing the line he walks every night. She vanishes with Joker in an explosion, leaving behind only a locket and the final traces of a love that couldn’t survive the city. The film ends with Bruce, alone in the Batcave, silently reflecting. Alfred asks if he’s alright. Bruce doesn’t respond. In the distance, the Bat-Signal lights the sky — and Batman answers it.
