Age: 85
male
Walter Stacy Keach Jr. (born June 2, 1941) is an American actor, active in theatre, film and television since the 1960s. Keach first distinguished himself in Off-Broadway productions and remains a prominent figure in American theatre across his career, particularly as a noted Shakespearean. He is the recipient of several theatrical accolades: four Drama Desk Awards, two Helen Hayes Awards and two Obie Awards for Distinguished Performance by an Actor. He was nominated for a Tony Award for Best Actor in a Play for his performance in Arthur Kopit's 1969 production of Indians. In film, he garnered critical acclaim for his portrayal of a washed-up boxer in the John Huston film Fat City (1972) and appeared as Sergeant Stedenko in Cheech & Chong's films Up in Smoke (1978) and Nice Dreams (1981).[4] His other notable film credits include Brewster McCloud (1970), Doc (1971), The Life and Times of Judge Roy Bean (1972), The New Centurions (1972), Luther (1974), Slave of the Cannibal God (1978), The Ninth Configuration (1980), The Long Riders (1980), Roadgames (1981), Batman: Mask of the Phantasm (1993), Escape from L.A. (1996), American History X (1998), The Bourne Legacy (2012) and Nebraska (2013). Keach is known to television audiences for his portrayal of private detective Mike Hammer in television movies and on the television series Mickey Spillane's Mike Hammer (1984–1987), for which he was nominated for a Golden Globe, as Ken Titus on the sitcom Titus (2000–2002) and as the narrator of the crime documentary series American Greed (2007–present). He also had a main cast role on the sitcom Man with a Plan (2017–2020) and recurring roles on series such as Prison Break (2005–2007), Two and a Half Men (2010), Blue Bloods (2016–2024) and The Blacklist (2019–2023). He won a Golden Globe and was nominated for an Primetime Emmy Award for playing Ernest Hemingway on the television miniseries Hemingway (1988). He is an inductee of the Theatre Hall of Fame and was honored with a star on the Hollywood Walk of Fame in 2019. He is the son of theatre director Stacy Keach Sr., and the older brother of actor James Keach.
Stacy Keach
Carl Beaumont
for Carl Beaumont in Batman: Mask of the Phantasm (1993 Live Action)
Suggested by go77e
*rewritten for live action* In a Gotham gripped by crime and political maneuvering, high-profile mobsters are being murdered — each found at the scene of their death muttering the same thing: "It was the Batman." The killings begin with Chuckie Sol, a flashy crime lord ambushed in his garage by a ghostly, masked figure. Then Buzz Bronski, a thuggish enforcer, is dragged to his grave — literally — during a funeral. Fear ripples through Gotham’s old mob circles, especially among those once involved in a mysterious disappearance from years prior. Gotham’s press, led by ambitious city councilman Arthur Reeves, quickly blames Batman. As public opinion turns, Bruce Wayne is forced to reevaluate both his public image and his mission. Amid this storm, Andrea Beaumont returns to Gotham. Her arrival stirs up buried memories in Bruce: a time before the cowl, when love nearly pulled him away from vengeance. Flashbacks reveal their near-engagement — and her sudden, unexplained departure — which shattered Bruce and helped solidify his path as Batman. As Bruce investigates, he discovers the murdered gangsters — Sol, Bronski, and the now-terrified Salvatore Valestra — were all connected to Andrea’s father, Carl Beaumont, a financial adviser who vanished after embezzling from them. Desperate for protection, Valestra turns to a terrifying wildcard: the Joker, now living in isolation, his history as a former hitman for the mob buried under madness. When Valestra winds up dead with a smile carved across his face, Bruce begins to suspect Joker may be behind the original crime — but not these new murders. Eventually, Batman uncovers the truth: Andrea is the masked killer — the Phantasm — seeking revenge for her father’s murder, orchestrated years ago by the same mobsters she’s now hunting. Her vendetta spirals toward Gotham’s industrial district, where the Joker now resides in the ruins of the World’s Fair — a decaying monument to lost dreams that Andrea and Bruce once visited together. In a final confrontation, Andrea faces Joker, who gleefully admits to executing her father. She nearly kills him, but Batman intervenes — not to save Joker, but to stop Andrea from crossing the line he walks every night. She vanishes with Joker in an explosion, leaving behind only a locket and the final traces of a love that couldn’t survive the city. The film ends with Bruce, alone in the Batcave, silently reflecting. Alfred asks if he’s alright. Bruce doesn’t respond. In the distance, the Bat-Signal lights the sky — and Batman answers it.
