Died at 94
male
Sir Ian Holm Cuthbert CBE (September 12, 1931 – June 19, 2020) was an English actor. After beginning his career on the British stage as a leading member of the Royal Shakespeare Company, he became a successful and prolific performer on television and in films. He received numerous accolades including two BAFTA Awards and a Tony Award, along with nominations for an Academy Award and two Emmy Awards. He was made a Commander of the Order of the British Empire (CBE) in 1989 by Queen Elizabeth II. Holm won the 1967 Tony Award for Best Featured Actor for his performance as Lenny in the Harold Pinter play The Homecoming. He won the Laurence Olivier Award for Best Actor for his performance in the title role in the 1998 West End production of King Lear. For his television roles he received two Primetime Emmy Award nominations for King Lear (1998), and the HBO film The Last of the Blonde Bombshells (2003). He gained acclaim for his role in The Bofors Gun (1968) winning the BAFTA Award for Best Actor in a Supporting Role. He was nominated for an Academy Award for Best Supporting Actor and a BAFTA Award win for his role as athletics trainer Sam Mussabini in Chariots of Fire (1981). Other notable films he appeared in include Alien (1979), Brazil (1985), Henry V (1989), The Madness of King George (1994), The Fifth Element (1997), The Sweet Hereafter (1997), and The Aviator (2004). He gained wider appreciation for his role as the elderly Bilbo Baggins in Peter Jackson's The Lord of the Rings and The Hobbit trilogies. He also voiced Chef Skinner in the Pixar animated film Ratatouille (2007). Description above from the Wikipedia article Ian Holm, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ian Holm
Alfred Pennyworth
for Alfred Pennyworth in Batman: Mask of the Phantasm (1993 Live Action)
Suggested by go77e
*rewritten for live action* In a Gotham gripped by crime and political maneuvering, high-profile mobsters are being murdered — each found at the scene of their death muttering the same thing: "It was the Batman." The killings begin with Chuckie Sol, a flashy crime lord ambushed in his garage by a ghostly, masked figure. Then Buzz Bronski, a thuggish enforcer, is dragged to his grave — literally — during a funeral. Fear ripples through Gotham’s old mob circles, especially among those once involved in a mysterious disappearance from years prior. Gotham’s press, led by ambitious city councilman Arthur Reeves, quickly blames Batman. As public opinion turns, Bruce Wayne is forced to reevaluate both his public image and his mission. Amid this storm, Andrea Beaumont returns to Gotham. Her arrival stirs up buried memories in Bruce: a time before the cowl, when love nearly pulled him away from vengeance. Flashbacks reveal their near-engagement — and her sudden, unexplained departure — which shattered Bruce and helped solidify his path as Batman. As Bruce investigates, he discovers the murdered gangsters — Sol, Bronski, and the now-terrified Salvatore Valestra — were all connected to Andrea’s father, Carl Beaumont, a financial adviser who vanished after embezzling from them. Desperate for protection, Valestra turns to a terrifying wildcard: the Joker, now living in isolation, his history as a former hitman for the mob buried under madness. When Valestra winds up dead with a smile carved across his face, Bruce begins to suspect Joker may be behind the original crime — but not these new murders. Eventually, Batman uncovers the truth: Andrea is the masked killer — the Phantasm — seeking revenge for her father’s murder, orchestrated years ago by the same mobsters she’s now hunting. Her vendetta spirals toward Gotham’s industrial district, where the Joker now resides in the ruins of the World’s Fair — a decaying monument to lost dreams that Andrea and Bruce once visited together. In a final confrontation, Andrea faces Joker, who gleefully admits to executing her father. She nearly kills him, but Batman intervenes — not to save Joker, but to stop Andrea from crossing the line he walks every night. She vanishes with Joker in an explosion, leaving behind only a locket and the final traces of a love that couldn’t survive the city. The film ends with Bruce, alone in the Batcave, silently reflecting. Alfred asks if he’s alright. Bruce doesn’t respond. In the distance, the Bat-Signal lights the sky — and Batman answers it.
