
Age: 51
male
Andrew Brion Hogan Goddard (born February 26, 1975) is an American screenwriter, director, and producer most closely associated with the horror genre. He began his career writing episodes for Buffy the Vampire Slayer, Angel, Alias, and Lost. After moving into screenwriting in film, he wrote Cloverfield (2008), World War Z (2013), and The Martian (2015), the latter earning him a nomination for the Academy Award for Best Adapted Screenplay. In 2011, he made his directorial debut with The Cabin in the Woods. In 2015, Goddard created the Netflix series Daredevil. Soon after, he directed several episodes of The Good Place. He served as an executive producer for 10 Cloverfield Lane (2016) and The Cloverfield Paradox (2018), the next instalment in the Cloverfield franchise. It was announced in April 2024 that he would write and direct a new film in The Matrix franchise. Description above from the Wikipedia article Drew Goddard, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Five years have passed since the Bat-Signal last lit up the clouds of Gotham. In the wake of a devastating tragedy that shattered the Bat-family, Bruce Wayne has become a ghost, a recluse haunted by a past he cannot outrun. But the city has grown darker in his absence. Under the cold grip of A.R.G.U.S., the infamous Arkham district has been walled off, turned into "Arkham State'', a sovereign military zone ruled by the iron fist of Dr. Hugo Strange. Strange’s mandate is simple: total containment. But rumors of "Protocol 10" and horrific biological experiments suggest a much more sinister agenda. When a classified leak reveals a personal connection to Bruce’s past trapped within the walls, the Dark Knight is forced to don the cowl once more. The film plunges the audience in media res into the snowy, blood-soaked streets of the walled-off city. Batman is already inside, and he isn't alone. In a move that defies every moral code he once held, he has liberated The Joker. Told through a fragmented, non-linear narrative, the audience must piece together why Batman has chosen to work with his greatest enemy. As the "Deadly Duo" carves a path through Strange’s private army and the grotesque "Monster Men" stalking the ruins, the Joker plays a sadistic game of psychological warfare, peeling back the layers of Bruce’s trauma. In this claustrophobic descent into madness, the mission is clear: find the heart of Strange’s operation and shut it down. But in a city built on secrets and fueled by vengeance, the greatest threat isn't the monsters behind the glass, it's the fragile bond between two enemies who have nothing left to lose.
