Age: 56
male
Matthew Lyn Lillard (born January 24, 1970) is an American actor, director, and producer. His early film roles include the black comedy Serial Mom (1994) and the crime thriller Hackers (1995). He achieved a career breakthrough for his portrayal of Stu Macher in the slasher film Scream (1996), which bolstered Lillard into the mainstream as a scream king. Afterwards, he starred in prominent roles in SLC Punk! (1998), She's All That (1999), Thirteen Ghosts (2001), and Without a Paddle (2004). He portrayed Norville "Shaggy" Rogers in the live-action movies Scooby-Doo (2002) and Scooby-Doo 2: Monsters Unleashed (2004), and then later voiced the character in several animated releases, serving as the voice of Shaggy since Casey Kasem retired from the role in 2009. Starting in the 2010s, Lillard was more frequently cast in dramatic roles, in films such as The Descendants (2011), Trouble with the Curve (2012), Match (2014), and Twin Peaks: The Return (2017). He also starred in the NBC series Good Girls (2018–2021). Lillard gained renewed recognition for playing William Afton in the horror film Five Nights at Freddy's (2023); that same year, The Hollywood Reporter praised his return to mainstream popular culture. He has since starred in the fantasy drama film The Life of Chuck (2025). Description above from the Wikipedia article Matthew Lillard, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Matthew Lillard
The Riddler
for The Riddler in Batman: Death of the Family
Suggested by fernandomenegatti2
In an anachronistic Gotham suspended between the 1940s, the 1990s, and the present, Batman spirals into paranoia when the Joker vanishes for a year and is presumed dead. As grotesque murders plague the city and abandoned Ace Chemicals comes back to life in toxic green smoke, evidence suggests something far worse has returned. What follows is a nightmarish descent into psychological horror, as a more sadistic, almost supernatural Joker targets fear itself, dismantling the Batfamily one by one to shatter Bruce Wayne’s sanity. Blurring reality, myth, and madness, the film transforms The Death of the Family into a gothic noir terror story where love, obsession, and insanity become indistinguishable, and the final question is not whether Batman can stop the Joker, but whether he can survive him.
