Age: 67
male
James Hugh Calum Laurie CBE (born June 11, 1959), known professionally as Hugh Laurie, is an English actor, director, singer, musician, comedian, and author. He is known for portraying the title character on the Fox medical drama series House (2004–2012), for which he received two Golden Globe Awards and nominations for numerous other awards. He was listed in the 2011 Guinness World Records as the most watched leading man on television and was one of the highest-paid actors in a television drama, earning £250,000 ($409,000) per episode of House. His other television credits include arms dealer Richard Onslow Roper in the miniseries The Night Manager (2016), for which he won his third Golden Globe Award, and Senator Tom James in the HBO sitcom Veep (2012–2019), for which he received his 10th Emmy Award nomination. Forced to abandon rowing during a bout of glandular fever, he joined the Cambridge Footlights, a university dramatic club that has produced many well-known actors and comedians. There he met Emma Thompson, with whom he had a romantic relationship, which later ended yet they remain good friends. She introduced him to his future comedy partner, Stephen Fry. Laurie, Fry and Thompson later parodied themselves as the University Challenge representatives of "Footlights College, Oxbridge" in "Bambi", an episode of The Young Ones, with the series' co-writer Ben Elton completing their team.
Hugh Laurie
Gordon
for Gordon in Batman: Death of the Family
Suggested by fernandomenegatti2
In an anachronistic Gotham suspended between the 1940s, the 1990s, and the present, Batman spirals into paranoia when the Joker vanishes for a year and is presumed dead. As grotesque murders plague the city and abandoned Ace Chemicals comes back to life in toxic green smoke, evidence suggests something far worse has returned. What follows is a nightmarish descent into psychological horror, as a more sadistic, almost supernatural Joker targets fear itself, dismantling the Batfamily one by one to shatter Bruce Wayne’s sanity. Blurring reality, myth, and madness, the film transforms The Death of the Family into a gothic noir terror story where love, obsession, and insanity become indistinguishable, and the final question is not whether Batman can stop the Joker, but whether he can survive him.
