
Age: 80
male
Brian Denis Cox (born June 1, 1946) is a Scottish actor. A classically trained Shakespearean actor, he is known for his work on stage and screen. His numerous accolades include two Laurence Olivier Awards, a Primetime Emmy Award, and a Golden Globe Award, as well as a nomination for a British Academy Television Award. In 2003, he was appointed to the Order of the British Empire at the rank of Commander. Cox trained at the Dundee Repertory Theatre before becoming a founding member of the Royal Lyceum Theatre. He went on to train as a Shakespearean actor, starring in numerous productions with the Royal National Theatre and the Royal Shakespeare Company, where he gained recognition for his portrayal of King Lear. Cox received two Laurence Olivier Awards for Best Actor for his roles in Rat in the Skull (1984), for Royal Court, and Titus Andronicus (1988). He received two more Olivier Award nominations for Misalliance (1986) and Fashion (1988). Known as a character actor in film, he played Robert McKee in Spike Jonze's Adaptation (2002) and William Stryker in X2 (2003). For his starring role in L.I.E. (2001), he received an Independent Spirit Award nomination. His other notable films include Manhunter (1986), Iron Will (1994), Braveheart (1995), The Boxer (1997), The Rookie (2002), Troy (2004), Match Point (2005), The Water Horse: Legend of the Deep (2007), Coriolanus (2011), Pixels (2015), and Churchill (2017). Cox won the Primetime Emmy Award for Best Supporting Actor in a Limited Series for his portrayal of Hermann Göring in the television film Nuremberg (2001). The following year, he guest starred on the NBC sitcom Frasier, earning his second Emmy nomination in 2002. He portrayed Jack Langrishe in the HBO series Deadwood. He starred as Logan Roy on the HBO series Succession (2018-2023), for which he won the Golden Globe Award for Best Actor in a Drama Series and was nominated for three Primetime Emmy Awards for Best Actor in a Drama Series.

Brian Cox

Gordon
for Gordon in Batman: Death of the Family
Suggested by fernandomenegatti2

In an anachronistic Gotham suspended between the 1940s, the 1990s, and the present, Batman spirals into paranoia when the Joker vanishes for a year and is presumed dead. As grotesque murders plague the city and abandoned Ace Chemicals comes back to life in toxic green smoke, evidence suggests something far worse has returned. What follows is a nightmarish descent into psychological horror, as a more sadistic, almost supernatural Joker targets fear itself, dismantling the Batfamily one by one to shatter Bruce Wayne’s sanity. Blurring reality, myth, and madness, the film transforms The Death of the Family into a gothic noir terror story where love, obsession, and insanity become indistinguishable, and the final question is not whether Batman can stop the Joker, but whether he can survive him.