Age: 59
male
Benicio Monserrate Rafael del Toro Sánchez (Latin American Spanish: [beˈnisjo ðel ˈtoɾo]; born February 19, 1967) is a Puerto Rican actor. His accolades include an Academy Award, a BAFTA Award, a Golden Globe, a Goya Award, a Cannes Film Festival Award for Best Actor, and a Silver Bear. Films in which he has appeared have grossed over $5.9 billion worldwide. Del Toro made his film debut in Big Top Pee-wee (1988) before his breakout role playing an unintelligible crook in the crime thriller The Usual Suspects (1995), followed by roles in Basquiat (1996), Fear and Loathing in Las Vegas (1998), and Snatch (2000). He received the Academy Award for Best Supporting Actor for his role as a morally upright police officer in the Steven Soderbergh crime drama Traffic (2000). He was nominated in the same category for his role as an ex-con in Alejandro González Iñárritu's thriller 21 Grams (2003). He has since acted in Sin City (2005), Che (2008), Savages (2012), Inherent Vice (2014), Sicario (2015), No Sudden Move (2021), and One Battle After Another (2025). He also took on franchise roles such as Lawrence Talbot in The Wolfman (2010), the Collector in three films from 2013 to 2018 in the Marvel Cinematic Universe, and DJ, the codebreaker, in Star Wars: The Last Jedi (2017). He also acted in the Wes Anderson films The French Dispatch (2021) and The Phoenician Scheme (2025). On television, he portrayed Richard Matt in the Showtime miniseries Escape at Dannemora (2018), for which he received a nomination for the Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie. Description above from the Wikipedia article Benicio del Toro, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Benicio del Toro
Batman/ Bruce Wayne
for Batman/ Bruce Wayne in Batman: Death of the Family
Suggested by fernandomenegatti2
In an anachronistic Gotham suspended between the 1940s, the 1990s, and the present, Batman spirals into paranoia when the Joker vanishes for a year and is presumed dead. As grotesque murders plague the city and abandoned Ace Chemicals comes back to life in toxic green smoke, evidence suggests something far worse has returned. What follows is a nightmarish descent into psychological horror, as a more sadistic, almost supernatural Joker targets fear itself, dismantling the Batfamily one by one to shatter Bruce Wayne’s sanity. Blurring reality, myth, and madness, the film transforms The Death of the Family into a gothic noir terror story where love, obsession, and insanity become indistinguishable, and the final question is not whether Batman can stop the Joker, but whether he can survive him.
