
Age: 76
male
Alan Anthony Silvestri (born March 26, 1950) is an American composer, conductor, orchestrator and music producer of film scores. He has received two Grammy Awards, two Primetime Emmy Awards, and nominations for two Academy Awards and two Golden Globe Awards. He has been associated with director Robert Zemeckis since 1984, composing music for nearly all of his feature films, including the Back to the Future film series (1985–1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), What Lies Beneath (2000), Cast Away (2000), The Polar Express (2004), Beowulf (2007), Flight (2012) and The Walk (2015). Silvestri also scored many other popular movies, including Predator (1987), The Abyss (1989), Father of the Bride (1991), The Bodyguard (1992), Eraser (1996), The Parent Trap (1998), Stuart Little (1999), The Mummy Returns (2001), Lilo & Stitch (2002), Van Helsing (2004), Night at the Museum trilogy, G.I. Joe: The Rise of Cobra (2009), The A-Team (2010), Ready Player One (2018), and several Marvel Cinematic Universe films, including the Avengers films. Description above from the Wikipedia article Alan Silvestri, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Alan Silvestri

Composer
for Composer in Batman: Curse of the White Knight
Suggested by dc_black_label

The urban jungle that is Gotham City is being torn apart by the war between Batman and the Joker—a war in which the difference between hero and villain has become impossibly blurred. Now, with his do-gooding Jack Napier personality submerged beneath an ascendant Clown Prince of Crime, the Joker is ready to take that war to the next level—and his army has a new recruit. Wielding a flaming sword and bearing the weight of hundreds of years of history on his shoulders, Azrael is a knight darker than any that Gotham has seen before. One by one, the Batman's enemies will fall beneath his blade—and bit by bit, this new crusader will remake Gotham City into his own version of heaven on Earth. Only Batman and his estranged allies can stop him—but the distrust between them runs deep. And when the Joker and Azrael expose the hidden history of the Wayne family, all faith in the Dark Knight may be shattered for good.