
Age: 50
male
Taika David Cohen ONZM (born 16 August 1975), known professionally as Taika Waititi(/ˈtaɪkə ˈwaɪtɪti/ TY-kə WY-tee-tee), is a New Zealand filmmaker, actor and comedian. He is known for directing quirky comedy films and has expanded his career as a voice actor and producer on numerous projects. He has received multiple accolades, including an Academy Award, a BAFTA Award and a Grammy Award. Time magazine named him one of the 100 most influential people in the world in 2022. His feature films Boy (2010) and Hunt for the Wilderpeople (2016) have each been the top-grossing New Zealand film. Waititi's 2003 short film Two Cars, One Night earned him an Academy Award nomination for Best Live Action Short Film. He co-wrote, co-directed and starred in the horror comedy film What We Do in the Shadows (2014) with Jemaine Clement, which was adapted into a television series of the same name in 2019. The series has been nominated for the Primetime Emmy Award for Outstanding Comedy Series. His directing credits include the superhero films Thor: Ragnarok (2017) and Thor: Love and Thunder (2022), as well as the black comedy film Jojo Rabbit (2019), the last of which he also wrote and starred in as an imaginary version of Adolf Hitler. Jojo Rabbit received six Academy Award nominations and won Best Adapted Screenplay. Waititi also earned a Grammy Award for producing the film's soundtrack. In television, Waititi co-created and produced the comedy-drama series Reservation Dogs and directed, produced, and starred in the comedy Our Flag Means Death. In addition to directing an episode of The Mandalorian series, he voiced the character IG-11, for which he was nominated for the Primetime Emmy Award for Outstanding Character Voice-Over Performance. Description above from the Wikipedia article Taika Waititi, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Bare: A Pop Opera This self-styled pop opera follows a group of students at a Catholic Boarding school as they struggle to deal with their identity, sexuality and futures. There are crushes and rivalries, secret relationships and crises of faith which all unfold as the group is trying to put on a musical production of Shakespeare’s Romeo and Juliet. The teens seem at odds with each other and themselves as well as their families and the heads of the religious institution where they are being educated. This contemporary sung-through musical explores the cost of barring your soul versus the impact of hiding who you are.





