Age: 64
female
Jennifer Jason Leigh (born Jennifer Leigh Morrow; February 5, 1962) is an American actress. She began her career on television during the 1970s before making her film breakthrough in the teen film Fast Times at Ridgemont High (1982). She received critical praise for her performances in Last Exit to Brooklyn (1989), Miami Blues (1990), Backdraft (1991), Single White Female (1992), and The Hudsucker Proxy (1994). She was nominated for a Golden Globe for her portrayal of Dorothy Parker in Mrs Parker and the Vicious Circle (1994). Leigh starred in a 1995 film written by her mother, screenwriter Barbara Turner, titled Georgia. She co-wrote and co-directed a film with Alan Cumming titled The Anniversary Party (2001). Leigh starred in the crime drama Road to Perdition (2002) and the family drama Margot at the Wedding (2007). She had a recurring role on the Showtime comedy-drama series Weeds (2009–2012). She received critical acclaim for her voice work in Charlie Kaufman's Anomalisa (2015). For her role as fugitive Daisy Domergue in The Hateful Eight (2015), she was nominated for the Golden Globe and Academy Award for Best Supporting Actress. From 2017 to 2021, she starred in the Netflix comedy-drama series Atypical while featuring in the science fiction films Annihilation (2018) and Possessor (2020). She has since starred in the fifth season of the crime drama series Fargo (2023). For her stage work, Leigh was nominated for a Drama Desk award for her off-Broadway performance as Beverly Moss in Mike Leigh's Abigail's Party. Her Broadway debut occurred in 1998 when she became the replacement for the role of Sally Bowles in the musical Cabaret.
Jennifer Jason Leigh
Cafe Waitress
for Cafe Waitress in Bad Mother F$%^er (1999)
Suggested by matthewfenner
(Some characters may have a description when you click into them) Five years after the blood-soaked events of Pulp Fiction, Jules Winnfield has traded his pistol for a Bible, wandering America as a self-proclaimed servant of God. Now calling himself Reverend Jules, he drifts from dusty backroads to rundown towns, preaching redemption to the broken and lost while searching for the peace he’s convinced the Lord promised him. But redemption doesn’t come easy for a man with that much blood on his hands. When his past life resurfaces in the form of vengeful gangsters, corrupt lawmen, and an old associate who refuses to stay buried, Jules finds himself torn between the preacher he’s trying to be and the killer he used to be. As violence shadows his every step, Jules faces a brutal test of faith—forced to confront not just his enemies, but his own capacity for wrath. The road to salvation turns crimson when Jules picks up the gun he swore he’d never touch again, realizing that forgiveness sometimes comes only after fire and fury. In a world where sin is currency and morality bends to survival, Bad Mother F$%^er (an R-rated spiritual neo-noir) explores whether a man like Jules Winnfield can ever truly walk the earth without leaving bodies behind.
