Age: 47
female
Mayte Michelle Rodríguez (born July 12, 1978) is an American actress. She began her career in 2000, playing a troubled boxer in the independent sports drama film Girlfight (2000), where she won the Independent Spirit Award and Gotham Award for Best Debut Performance. Rodriguez played Letty Ortiz in the Fast & Furious franchise and Rain Ocampo in the Resident Evil franchise. She has starred in the crime thriller S.W.A.T. (2003), James Cameron's science fiction epic Avatar (2009), and in the action film Battle: Los Angeles (2011). After playing Minerva Mirabal in the biopic Trópico de Sangre (2010), Rodriguez headlined the exploitation films Machete (2010) and Machete Kills (2013) and starred in the animated comedy films Turbo (2013) and Smurfs: The Lost Village(2017), while her performance in the heist film Widows (2018) was critically praised. Outside of film, Rodriguez played Ana Lucia Cortez in the drama television series Lost (2005–2006; 2009–2010) and voiced Liz Ricarro in the English-language translation of the anime Immortal Grand Prix (2005–2006). She reprised her roles in video game spin-offs of Avatar and Fast & Furious and also appeared in True Crime: Streets of LA (2003), Driver 3 (2004), Halo 2 (2004), and Call of Duty: Black Ops II (2012). Description above from the Wikipedia article Michelle Rodriguez, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In Sarmiento Park, the green heart of Córdoba, a group of trans sex workers make their nightly rounds. When a cry comes from the dark, their leader, the 178-year-old Auntie Encarna, wades into the brambles to investigate and discovers a baby half dead from the cold. She quickly rallies the pack to save him, and they adopt the child into their fascinating surrogate family as they have so many other outcasts, including Camila. Sheltered in Auntie Encarna’s fabled pink house, they find a partial escape from the everyday threats of disease and violence, at the hands of clients, cops, and boyfriends. Telling their stories—of a mute young woman who transforms into a bird, of a Headless Man who fled his country’s wars—as well as her own journey from a toxic home in a small, poor town, Camila traces the life of this vibrant community throughout the 90s. Imbuing reality with the magic of a dark fairy tale, Bad Girls offers an intimate, nuanced portrait of trans coming-of-age that captures a universal sense of the strangeness of our bodies. It grips and entertains us while also challenging ideas about love, sexuality, gender, and identity
