Age: 74
male
Robert Lee Zemeckis (born May 14, 1952) is an American filmmaker known for directing and producing a range of successful and influential movies. He often blends cutting-edge visual effects with storytelling. He has received several accolades, including an Academy Award and a Golden Globe Award, as well as nominations for five British Academy Film Awards and a Daytime Emmy Award. Zemeckis started his career directing the comedy films I Wanna Hold Your Hand (1978), Used Cars (1980), and Romancing the Stone (1984). He gained prominence directing the science-fiction comedy Back to the Future trilogy (1985–1990), the fantasy comedy Who Framed Roger Rabbit (1988), and the comedy-drama Forrest Gump (1994), the latter of which won Academy Awards for Best Picture and Best Director. He has also directed the satirical black comedy Death Becomes Her (1992), the science fiction film Contact (1997), and the drama films Cast Away (2000), Flight (2012), The Walk (2015), and Allied (2016). His exploration of motion capture techniques can be seen in the animated films The Polar Express (2004) and A Christmas Carol (2009), as well as the action fantasy drama Beowulf (2007) and the drama Welcome to Marwen (2018). He has collaborated with film composer Alan Silvestri since 1984 and directed Tom Hanks in five films. Description above from the Wikipedia article Robert Zemeckis, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Robert Zemeckis
Executive Producer
for Executive Producer in Back to the Past
Suggested by s105042
In the wake of his wife’s tragic death during childbirth, Walter Silverman is devoted to raising his spirited daughter, Alice, alone. Life in their quiet town takes an unexpected turn when Walter discovers that a group of inventive teenagers, led by Alice’s enigmatic crush, Derek Fritz, have engineered a time-traveling Lamborghini. Haunted by the loss of his beloved wife, Walter is convinced that this technological marvel could be his chance to rewrite history. He attempts to commandeer the vehicle, only to be thwarted by the teens. In the ensuing chaos, the Lamborghini activates, catapulting Walter back to an era long before the wheel’s invention—deep into the B.C. period. Now, Walter and the teens must navigate the annals of time itself. From the ancient past to the not-so-distant future, they encounter historical figures, pivotal events, and the very fabric of time and space. As they leap from one epoch to another, they must find a way to return to the present—before the past unravels or the future ceases to exist. But as they journey through time, Walter faces a profound dilemma: if he has the power to change the past, what will be the cost to the future—and to the daughter he cherishes?
