
Age: 76
male
Alan Anthony Silvestri (born March 26, 1950) is an American composer, conductor, orchestrator and music producer of film scores. He has received two Grammy Awards, two Primetime Emmy Awards, and nominations for two Academy Awards and two Golden Globe Awards. He has been associated with director Robert Zemeckis since 1984, composing music for nearly all of his feature films, including the Back to the Future film series (1985–1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), What Lies Beneath (2000), Cast Away (2000), The Polar Express (2004), Beowulf (2007), Flight (2012) and The Walk (2015). Silvestri also scored many other popular movies, including Predator (1987), The Abyss (1989), Father of the Bride (1991), The Bodyguard (1992), Eraser (1996), The Parent Trap (1998), Stuart Little (1999), The Mummy Returns (2001), Lilo & Stitch (2002), Van Helsing (2004), Night at the Museum trilogy, G.I. Joe: The Rise of Cobra (2009), The A-Team (2010), Ready Player One (2018), and several Marvel Cinematic Universe films, including the Avengers films. Description above from the Wikipedia article Alan Silvestri, licensed under CC-BY-SA, full list of contributors on Wikipedia.

In the wake of his wife’s tragic death during childbirth, Walter Silverman is devoted to raising his spirited daughter, Alice, alone. Life in their quiet town takes an unexpected turn when Walter discovers that a group of inventive teenagers, led by Alice’s enigmatic crush, Derek Fritz, have engineered a time-traveling Lamborghini. Haunted by the loss of his beloved wife, Walter is convinced that this technological marvel could be his chance to rewrite history. He attempts to commandeer the vehicle, only to be thwarted by the teens. In the ensuing chaos, the Lamborghini activates, catapulting Walter back to an era long before the wheel’s invention—deep into the B.C. period. Now, Walter and the teens must navigate the annals of time itself. From the ancient past to the not-so-distant future, they encounter historical figures, pivotal events, and the very fabric of time and space. As they leap from one epoch to another, they must find a way to return to the present—before the past unravels or the future ceases to exist. But as they journey through time, Walter faces a profound dilemma: if he has the power to change the past, what will be the cost to the future—and to the daughter he cherishes?
