
Age: 67
female
Fiona Shaw (born Fiona Mary Wilson, 10 July 1958) is an Irish film and theatre actress. She did extensive work with the Royal Shakespeare Company and the National Theatre, as well as in film and television. In 2020, she was listed at No. 29 on The Irish Times list of Ireland's greatest film actors. She was made an Honorary Commander of the Order of the British Empire (CBE) by Queen Elizabeth II in 2001. She won both the 1990 and 1994 Laurence Olivier Award for Best Actress for roles in the plays Electra, As You Like It, The Good Person of Szechwan (1990), and Machinal (1994) and received a further three Olivier Award nominations for her roles in Mephisto (1986), Hedda Gabler (1992), and Happy Days (2008). She made her Broadway debut playing the title role in Medea (2002), for which she earned a nomination for the Tony Award for Best Actress in a Play. She returned to Broadway in the Colm Tóibín play The Testament of Mary (2013). In film, she played Petunia Dursley in the Harry Potter film series (2001–2010). Other notable film roles include My Left Foot (1989), Persuasion (1995), Jane Eyre (1996), The Tree of Life (2011), Colette (2018), Ammonite (2020), and Enola Holmes (2020). Her television roles include Hedda Hopper in the HBO film RKO 281 (1999) and Marnie Stonebrook in the HBO series True Blood (2011). She played Carolyn Martens in the BBC series Killing Eve (2018–22), for which she received the 2019 BAFTA TV Award for Best Supporting Actress and two Primetime Emmy Award nominations. For her role as a counsellor in Fleabag (2019), she received a Primetime Emmy Award for Outstanding Guest Actress in a Comedy Series nomination. She starred in the BBC One series Baptiste (2021) and the Disney+ series Andor (2022). Description above from the Wikipedia article Manny Jacinto, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide… Can powerful institutions be changed from within, or does revolution always require violence?


