Age: 46
male
Michael James Owen Pallett is a Canadian composer, violinist, keyboardist, and vocalist, who performs solo as Owen Pallett or, before 2010, under the name Final Fantasy. As Final Fantasy, he won the 2006 Polaris Music Prize for the album He Poos Clouds. From the age of 3, Pallett studied classical violin, and composed his first piece at age 13. A notable early composition includes some of the music for the game Traffic Department 2192; he moved on to scoring films, to composing two operas while in university. Apart from the indie music scene, he has had commissions from the Barbican, Toronto Symphony Orchestra, National Ballet of Canada, Bang on a Can, Ecstatic Music Festival, the Vancouver CBC Orchestra, and Fine Young Classicals. On his Final Fantasy releases, Pallett has collaborated with Leon Taheny, who is credited as drummer and engineer. Following the release of Heartland, Pallett has toured with guitarist/percussionist Thomas Gill and more recently with his former collaborators in Les Mouches, Rob Gordon and Matt Smith. Pallett has been noted for his live performances, wherein he plays the violin into a loop pedal. Pallett uses Max/MSP and SooperLooper to do multi-phonic looping, which sends his violin signal to amplifiers across the stage. In January 2014, Pallett and William Butler were nominated for Best Original Score at the 86th Academy Awards for their work on Her.
Traduttore, traditore: An act of translation is always an act of betrayal. 1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization. For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide… Can powerful institutions be changed from within, or does revolution always require violence?
