Age: 51
male
José Pedro Balmaceda Pascal (Spanish: [xoˈseˈpeðɾo βalmaˈseða pasˈkal]; born April 2, 1975) is a Chilean and American actor. After nearly two decades of taking small roles on stage and television, Pascal had his breakout role as Oberyn Martell in the fourth season of the HBO fantasy series Game of Thrones (2014). He gained further prominence with his portrayal of Javier Peña in the Netflix crime series Narcos (2015–2017). He went on to appear in the films The Great Wall(2016), Kingsman: The Golden Circle (2017), The Equalizer 2 (2018), and Triple Frontier (2019). Pascal's leading roles as Din Djarin in the Disney+ science fiction series The Mandalorian (2019–2023) and Joel Miller in the HBO post-apocalyptic drama series The Last of Us (2023–present) propelled him to international stardom, earning him a reputation for portraying adoptive father figures. For the latter role, he received numerous accolades, including a Screen Actors Guild Award and nominations for a Golden Globe Award and Primetime Emmy Award. He also portrayed parental characters in We Can Be Heroes (2020), Strange Way of Life (2023), and The Wild Robot (2024). Pascal has also starred in the big-budget films Wonder Woman 1984 (2020) and Gladiator II (2024). He plays Reed Richards / Mister Fantastic in the Marvel Cinematic Universe, beginning with The Fantastic Four: First Steps (2025). Active in theatre since 1999, he made his Broadway debut as Edmund in a 2019 adaptation of King Lear. In 2023, Time Magazine named him one of the 100 most influential people in the world. Description above from the Wikipedia article Pedro Pascal, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Pedro Pascal
Pedro Dominguez
for Pedro Dominguez in ¡Ay, Ay, Ay! The Life of Bumblebee Man
Suggested by jakubduda
Born in Mexico City as Pedro Chespirito, a bright, gentle child obsessed with comedy and television, Pedro grows up idolizing classic slapstick stars and dreaming of making people laugh. Life, however, has other plans. Economic hardship pushes him north to Springfield, where his thick accent, earnest optimism, and physical comedy make him an unlikely fit for serious acting roles. After years of rejection, Pedro lands a job at Channel 8, as a caricature, Bumblebee Man, a loud, accident-prone TV mascot dressed in ridiculous bee costume. It becomes an instant hit. Children adore him. Catchphrases go viral. Merchandise explodes. As Bumblebee Man, he is famous, as Pedro, he is alone. He marries, divorces, reconnects with his son, and navigates cultural displacement, all while endlessly slipping on banana peels and being stung by his own jokes. Mid-career burnout and a humiliating live-TV incident force Pedro to confront the truth, the world loves the mask, not the man. When Channel 8 considers replacing Bumblebee Man with a younger, louder version, Pedro must decide whether to fight for his identity or finally step out of the suit, even if it means losing everything. In the end, Pedro finds redemption not by abandoning comedy, but by reclaiming it. He learns that dignity and laughter can coexist. Pedro walks onto a small stage, no costume, just a man telling a joke in his own voice. The audience laughs. He is invited to SNL. This time, it’s for him. Channel 8 to not replace him
